A Quote by David Bowie
Who'll love Aladdin Sane? Battle cries and champagne just in time for sunrise.
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I love champagne, but I don't have champagne every night. If I go out, and I want to have a drink, I'll have a glass of champagne.
This isn't champagne anymore. We went through the champagne a long time ago. This is serious stuff. The days of champagne are long gone.
The thing about champagne,you say, unfoiling the cork, unwinding the wire restraint, is that is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time.
My whole relationship with Bowie started when I was 13, and I bought a copy of 'Aladdin Sane' when I didn't have a record player. I had this record for a year before I could play it, and it was the image - not the sound - that I was attracted to. I just saw this image and thought he was my cousin.
My favorite moments are the moments everyone cries over. I see people in the audience crying, and I go, 'I did that, too. I don't just do the jokes. I also do the cries.' Jokes and cries, jokes and cries. That's all I'm here for, people.
Whenever I drink champagne I either laugh or cry...I get so emotional! I love champagne.
It's an odd thing about love. When someone you love cries, your heart melts. But when someone you don't love cries, you look at them and think, Why are you telling 'me' this?
Why are you still with me, Fry?" CyFi asks after one of his body-shaking seizures. "Any sane dude woulda taken off days ago. "Who says I'm sane?" "Oh, you're sane, Fry. You're so sane, you scare me. You're so sane, it's insane.
--Why are we fighting them? --They're mad. We're sane. --How do we know? --That we're sane? --Yes. --Am I sane? --To all appearances. --And you, do you consider yourself sane? --I do. --Well, there you have it. --But don't they also consider themselves sane? --I think they know. Deep down. That they're not sane. --How must that make them feel? --Terrible, I should think. They must fight ever more fiercely, in order to deny what they know to be true. That they are not sane.
I am sick of the girl who cries 'wolf' all the time. Even though not one of those cries was ever a false alarm
When someone kisses someone or flushes the toilet
it is my other who sits in a ball and cries.
My other beats a tin drum in my heart.
My other hangs up laundry as I try to sleep.
My other cries and cries and cries
when I put on a cocktail dress.
Have you ever felt so at one with the world, with the universe, with everything that is, that you were overcome with love? That is reality. That is the truth. What we make of it is up to us, as the painting of the sunrise is up to the artist. In our world humanity has strayed from that love. It lives hatred and power struggles and manipulations of the earth itself for its own narrow reasons. Continue and no one will see the sunrise. The sunrise will always exist, of course, but people on earth will know nothing of it and finally even stories of its beauty will fade from our knowing.
Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.
No battle was ever won by wholly sane men.
My last sunrise. That morning, I was not yet a vampire. And I saw my last sunrise. I remember it completely; yet I do not think I remember any other sunrise before it.
There are voices crying what must be done, a hundred, a thousand voices. But what do they help if one seeks for counsel, for one cries this, and one cries that, and another cries something that is neither this nor that.
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