A Quote by David Bowie

Songs don't have to be about going out on Saturday night and having a good rink-up and driving home and crashing cars. A lot of what I've done is about alienation... about where you fit in society.
I've got a lot of songs about having fun and partying, but it's a lot of work. Sometimes, I make 50 songs and pick out the best 10. I've been in the studio all day, all night, making the beat, writing the raps.
I was sitting there one night, and I came up with the line What ever happened to Saturday night?' When I was younger, I would be out partying, and with girls and having fun. And that's what it was about: Whatever happened to it? And the answer was, You're older now.'
Cars are good for entrances and exits. And there is something about driving that is quite cliched in a funny way. I like Roy Orbison's video for I Drove All Night because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.
I grew up in a remarkable home, the middle of seven children. My parents raised us well. They loved us well. We laughed hard growing up. But being the middle child, I couldn't figure out where I fit in the home, whether I was the youngest of the older three or the oldest of the younger three. When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some bad decisions about who I hung out with, I dropped out of high school, got kicked out of the house.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
I see people driving cars, winding down the streets. I don't know where these people think they're going. They're going to the funeral home; that's about it.
When I walk home at night I don't have to worry about anything. But when a woman walks home at night she gotta think about a lot of different things.
There's a lot of guys in the NBA; it's about finding the right fit, a coach that has some trust in you that will play you night in and night out, consistently. Trying to find a right fit is the tough part.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some obviously bad decisions about who I hung out with and the things that I did.
I grew up listening to topical music - songs that were about things. So when I write songs, a lot of the time, they're about the things weighing on my heart that I want people to think about.
Some things you have to do every day. Eating about seven apples on Saturday night instead of one a day just isn't going to get the job done.
I never think in terms of alienation; it's the others who do. Alienation means one thing to Hegel, another to Marx and yet another to Freud; so it is not possible to give a single definition, one that will exhaust the subject. It is a question bordering on philosophy, and I'm not a philosopher nor a sociologist. My business is to tell stories, to narrate with images - nothing else. If I do make films about alienation - to use that word that is so ambiguous - they are about characters, not about me.
I don't think there is anything hard at all about having a lot of songs. It makes it easier to be less precious about them, and know that everybody's going to want to work on some of them.
It's not about having a plethora of suits, but having a few good ones. It's all about fit. The contour of your body. If your shoulders are broad, you shouldn't have shoulder pads. If you're not a big man, you shouldn't have extra space. I think it's definitely worth having it properly fitted.
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