A Quote by David Bowie
For me, the world that I inhabit in reality is probably a very different world than the one people expect that I would be in.
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The world that I inhabit in reality is probably very different world than the one people expect that I would be in. It is quite sedate. It's far removed from a lot of what they would feel to be the limousine traveling rock existence, or whatever.
The private experience that you perceive forms your world, period. But which world do you inhabit? For if you altered your private sensations of reality, then that world, seemingly the only one, would also change. You do go through transformations of beliefs all the time, and your perception of the world is different. You seem to be, no longer, the person you that you were. You are quite correct — you are not the person that you were, and your world has changed, and not just symbolically.
I expect that would be a very different world with very different priorities.
There are so many different points to 'Wild World,' and it sounds quite different to what people would expect from us.
It's just so cool when you meet people who are different than you are. That can give you a different perspective, a viewpoint on life, or inspire you. I mean, what would the world be like if we were all the same? I think it would be very boring.
So, we, as human beings, live in a very imprecise world. A world where our perceptions of reality are far more important than actual reality.
The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.
I was hurt when someone on television said that we film people live in an imaginary world and the sportsmen live in reality. I would like to tell them that we live very much in reality and the amount of hard work we do, I doubt anyone in this country can or in the world can do.
We applied a very simple principle: Recognize the facts. Abortion is old as the world. Gay marriage, please - it's older than the world. We had Julius Caesar, Alexander the Great, please. To say it's modern, come on, it's older than we are. It's an objective reality that it exists. For us, not legalizing it would be to torture people needlessly.
Living by synchronicity isn't merely about getting messages. It is about growing the poetic consciousness that allows us to taste and touch what rhymes and resonates in the world we inhabit, and how the world-behind-th e-world reveals itself by fluttering the veils of our consensual reality.
Books written by boys are given very different treatment to those written by girls: they're even given very different covers. People also expect, in this YA-booming world, girls to be less experimental than boys: girls are achieving a lot of success, but they're confined.
In my little world, I'm very protected 'cause I'm treated like the idiot I am by my buddies. But, a little bit outside that world, people sometimes expect heavy things from me. For a little time, I tried to appease and not disappoint people but in the end you're just going to kill yourself and fail if you're trying to give more than you are.
People assume that they perceive reality as it is, that our senses accurately record the outside world. Yet the science suggests that, in important ways, people experience reality not as it is, but as they expect it to be.
The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
I wanted to make the world of 'The Last Book in the Universe' as real as possible, so I spent a lot of time thinking about it. I decided the world would be a very different place, but people would be pretty much the same.
In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.
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