A Quote by David Brock

I'm kind of a builder of institutions. I think I've got some ability to look at what's out here, look at a playing field, and identify gaps and niches. — © David Brock
I'm kind of a builder of institutions. I think I've got some ability to look at what's out here, look at a playing field, and identify gaps and niches.
It's not like I'm some kind of veteran and there is this huge age gap. I identify with them more off the field. I need to set an example, which is great, and I look forward to doing just that.
Look at kids playing with blocks. I think it's in everyone's DNA to want to be a builder.
There are plenty of Latina actresses that no one's ever heard of... Some are really brown, some are light-skinned, and some look like they're Caucasian, but it's like we only want to identify with a certain kind of look and celebrate that under the guise that this is a 'Latina actress.'
If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
What I look for is identifying what the utility of a character is to the telling of the story overall. If I can identify that from reading the script, then I've got a clear idea of whether or not I think the character is worth playing.
Sometimes you look in a field and you see a cow and you think it's a better cow than the one you've got in your own field. It's a fact. Right? And it never really works out that way.
So many films are being shot on the DSLR, that they're all starting to look the same. There's a shallow depth of field. It's a nice look, but I can always identify a film shot with a DSLR.
How hard is it to build an intelligent machine? I don't think it's so hard, but that's my opinion, and I've written two books on how I think one should do it. The basic idea I promote is that you mustn't look for a magic bullet. You mustn't look for one wonderful way to solve all problems. Instead you want to look for 20 or 30 ways to solve different kinds of problems. And to build some kind of higher administrative device that figures out what kind of problem you have and what method to use.
I don't dislike the way I look. I think I look fine. I think I look extraordinary for 88. And I've got energy. Out of my way.
He's got the look. He's got the ability to speak. He's got the ability to step in the ring and back it up with his wrestling skill. It's an amazing, unique combination that Ricky Starks has.
Don’t worry about being able to identify each of these plants (in your designs for clients). The world is full of botanists and horticulturists. All you have to do is design. You don’t have to be a botanist; you don’t have to be a bulldozer driver; you don’t have to be a fence builder; you don’t have to be an architect. What the designer has to do is look at the relationships.
For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
We kind of look at music as something very natural in people's lives. I mean, most of us can relate to music in some sort of shape and form, and if you think about it, most of us remember the first time we kissed someone, what kind of music was playing or the song that was playing on our friend's birthday.
I do know there are still industries that are not on an equal playing field with women. My thing is, don't let that keep you from continuing to do what you know that you have to do. Don't look at it as an excuse, look at it as an opportunity.
What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'
To some extent I could identify with that because I kind of just made my money and got out.
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