A Quote by David Nail
I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.
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This whole thing that's happened to me, you see, this whole success thing..it hasn't yet really compromised the position that I took a long time ago in Texas, that was to be true to myself, to be the person that I...that was on inside of me and not play games.
I got lucky. To be frank, I was surrounded by white teachers who never did the whole, 'You're never going to amount to nothing' thing you hear about in the South. Instead, they would say, 'You're really smart. You can do this.' If I hadn't gotten that, I don't know where I'd be.
I picked up the Bible and read it from cover to cover one weekend - just as if it were a novel - very rapidly, and I've never gotten over the shock of it. The miracles, the inconsistencies, the improbabilities, the impossibilities, the wretched history, the sordid sex, the sadism in it - the whole thing shocked me profoundly.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.
I was about 12 or 13 years old. I picked up the Bible and read it from cover to cover one weekend ,just as if it were a novel, very rapidly, and I've never gotten over the shock of it. The miracles, the inconsistencies, the improbabilities, the impossibilities, the wretched history, the sordid sex, the sadism in it - the whole thing shocked me profoundly.
The truth is... I gave my heart away a long time ago, my whole heart... and I never really got it back.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
The only thing I really feel is necessary is that the black people, not only in Mississippi, will have to actually upset this applecart. What I mean by that is, so many things are under the cover that will have to be swept out and shown to this whole world, not just to America. This thing they say of "the land of the free and the home of the brave" is all on paper. It doesn't really mean anything to us. The only way we can make this thing a reality in America is to do all we can to destroy this system and bring this out to the light that has been under the cover all these years.
I would say the only thing I may change is that my whole family could live in Louisiana. That would be nice if all our houses were a block away from each other. That, to me, would be the best thing in the entire world.
It took me a long time to figure out that I didn't have to do everything, that it was actually a lot more helpful if I did a couple things really, really well than a whole bunch of things really badly, or nothing at all, because the whole thing was overwhelming.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
Really, when you look at it, you're not battling the chemo, you're battling yourself the whole time. It was me versus me. There were many times where I didn't know if I would wake up tomorrow. I would just be up, scared to go to sleep.
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
The whole time I was hoping my silence would fit yours and exclamation marks would gently float across time and space so that boundaries would be crossed; the whole time I was praying you would read my eyes and understand what I was never able to understand. See, we were never about butterflies. We’ve always been about burning stars. All about us is unearthly and radiant.
When Thug hears a song, he knows how the whole shape of the thing goes. He can nudge the whole frame to the left to make it offbeat and sound how he wants it to sound.
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