A Quote by David Gries

A formal parsing algorithm should not always be used. — © David Gries
A formal parsing algorithm should not always be used.
My well-discussed 'paranoia' urges me to believe that some tiny segment of the NSA's parsing algorithm is finely tuned to my voice.
[The Euclidean algorithm is] the granddaddy of all algorithms, because it is the oldest nontrivial algorithm that has survived to the present day.
I suppose I sort of like effects that have some organic elements rather than ones that are entirely generated by a computer. Just because, no matter how complex the algorithm is, it's still an algorithm.
No one knows what the right algorithm is, but it gives us hope that if we can discover some crude approximation of whatever this algorithm is and implement it on a computer, that can help us make a lot of progress.
Klout and various measurements of influence are fun. I love to see where I score on them, but there's a computer algorithm behind the calculation. If there's an algorithm, it can be gamed. Even if it's not gameable, you have to take a leap of faith that the number of followers, retweets, mentions, whatever really mean something.
At a formal dinner party, the person nearest death should always be seated closest to the bathroom.
The real use of AI in industry is generally for very narrow pattern-matchers - a better search algorithm, an object-detection algorithm, etc. These things are tools which we can use - for good or evil. But they're nothing like self-aware beings.
I invented an algorithm for starting micro turbo-molecular vacuum pumps to be used in science instruments on a future Mars rover.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
Obviously the more transparency we have as auditors, the more we can get, but the main goal is to understand important characteristics about a black box algorithm without necessarily having to understand every single granular detail of the algorithm.
Nature doesn't feel compelled to stick to a mathematically precise algorithm; in fact, nature probably can't stick to an algorithm.
A stage set should not make a pretty picture of its own. The empty stage should look formal and pleasing, but should seem to be waiting for the action to complete it; it should not hold definite significance in itself.
The Arab world is also the world that produced some of the greatest improvements in mathematics and in science. Even today, when a Princeton mathematician does an algorithm, he may not remember that "algorithm" derived from the name al-Khwarizmi, who is a ninth-century Arab mathematician.
You cannot invent an algorithm that is as good at recommending books as a good bookseller, and that's the secret weapon of the bookstore - is that no algorithm will ever understand readers the way that other readers can understand readers.
The past shouldn't be forgotten. It should be used as a guide for future situations and not used as a reason to avoid making difficult decisions. There was always a choice.
A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
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