A Quote by David Ignatow

I like rust on a nail, fog on a mountain. Clouds hide stars, rooms have doors, eyes close, and the same words that began love end it with changed emphasis. — © David Ignatow
I like rust on a nail, fog on a mountain. Clouds hide stars, rooms have doors, eyes close, and the same words that began love end it with changed emphasis.
Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? ... The clouds never cover the head. His head pokes through, because the clouds let him; they don't wrap him up. They let him keep his head high, free.
Journeying through secret doors, curving corridors, and connecting rooms into the mountain was like being digested by the different organs of a deity.
The same hand that stilled the seas stills your guilt. The same hand that cleansed the Temple cleanses your heart. The hand is the hand of God. The nail is the nail of God. And as the hands of Jesus opened for the nail, the doors of heaven opened for you.
Fog everywhere. Fog up the river where it flows among green airs and meadows; fog down the river, where it rolls defiled among the tiers of shipping, and the waterside pollutions of a great (and dirty) city.... Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.
The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one.
Seasons may change winter to spring, but I love you until the end of time Come what may, come what may, I will love you until my dying day Suddenly the world seems such a perfect place Suddenly it moves with such a perfect grace Suddenly my life doesn’t seem such a waste, it all revolves around you. And there’s no mountain too high no river too wide Sing out this song and I’ll be there by your side Storm clouds may gather and stars may collide But I love you until the end of time
I have seen many die, surrounded by loved ones, and their last words were ‘I love you.’ There were some who could no longer speak yet with their eyes and soft smile left behind that same healing message. I have been in rooms where those who were dying made it feel like sacred ground. (26)
Lying is like trying to hide in a fog: If you move about you're in danger of bumping your head against the truth, and as soon as the fog blows off, you are gone anyhow.
Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one.
Sit, then, as if you were a mountain, with all the unshakeable, steadfast majesty of a mountain. A mountain is completely natural and at ease with itself, however strong the winds that try to bother it, however thick the dark clouds that swirl around its peak. Sitting like a mountain, let your mind rise and fly and soar
There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.
Men at forty Learn to close softly The doors to rooms they will not be Coming back to.
History is moving the furniture around in the house of mankind just about everywhere but the U.S.A. Things have changed, except here, where people come and go through the rooms of state, and everything looks shabbier by the day, and lethargy eats away at the upholstery like an acid fog, and the walls reverberate with meaningless oratory.
I returned to the courtyard and saw that the sun had grown weaker. Beautiful and clear as it had been, the morning (as the day approached the completion of its first half) was becoming damp and misty. Heavy clouds moved from the north and were invading the top of the mountain, covering it with a light brume. It seemed to be fog, and perhaps fog was also rising from the ground, but at that altitude it was difficult to distinguish the mists that rose from below and those that come down from above. It was becoming hard to discern the bulk of the more distant buildings.
Four sits down on the edge of the carousel, leaning against a plastic horse's foot. His eyes lift to the sky, where there are no stars, only a round moon peking through a thin layer of clouds. The muscles in his arms are relaxed; his hand rests on the back of his neck. He looks almost comfortable, holding that gun to his shoulder. I close my eyes briefly. Why does he distract me so easily? I need to focus.
We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.
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