A Quote by David Canary

I'm a Beethoven freak. I listen to him all the time. — © David Canary
I'm a Beethoven freak. I listen to him all the time.
Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.
I never had a brain until Freak came along and let me borrow his for awhile, and that's the truth, the whole truth. The unvanquished truth, is how Freak would say it, and for a long time it was him who did the talking.
I cannot listen to Beethoven or Mahler or Chopin or Bach when I write because those composers require you stop what you are doing and listen.
I listen to either romantic classical music, Brahms or Beethoven or something like Mozart, or I go all the way contemporary and listen to Metallica or Adele, Radiohead, jazz, whatever it is that is completely opposite.
I really don't think I have that much of the gift; I have a little bit, but I wish I were Schubert or Chopin or Beethoven, though Beethoven had a very difficult time writing melody, too.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didn't spend that much time with him. And I used to put headphones on and listen to my dad talk and sing and I found that quite... bonding with him, in a weird way.
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
I’m not a freak. That’s a horrible thing to say." "That’s where you’re going. A special school for freaks. You and that Snape boy ... weirdos, that’s what you two are..." "You didn’t think it was such a freak’s school when you wrote the headmaster and begged him to take you.
I love art, I love music. I can listen to Stockhausen and a very experimental, avant-garde approach, and I can listen to Beethoven and have a more classical, traditional approach. Why not be able to do that with film performance?
I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
I cannot work and listen to Wagner at the same time, nor Mahler, nor Beethoven's late quartets. I enjoy listening to Chopin's piano music when I work.
I listen to tons of hard rock and metal, like Iron Maiden, Motorhead, etc., but I also listen to Beethoven and Mozart, to Discharge and the Bad Brains, and to Charlie Parker and Duke Ellington. So I think there's merit to both the melodic punk and to the hardcore stuff too.
That ugly freak has spent so much time in my head, I should be charging him rent." -Four
Either people walk round dressed as chickens or they listen to Beethoven.
If you ask Jim Courier, I mean, that guy has his tongue up (Roger Federer's) ass, I think...you know, the whole time when you actually listen to him commentating or listen to him talk about Roger Federer. Sometimes makes me sick almost.
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