A Quote by David Cage
Every time you try to create an experience with a character who doesn't use a gun, doesn't drive a car, doesn't jump off platforms, doesn't solve puzzles, you are taking a risk.
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What can you do? More and more Americans are carrying a gun in the car. An ex-cop I know advises that if you have to use a gun on a youth, you should leave the scene immediately, disposing of the wiped off gun as soon as possible. Such a gun cannot, of course, be registered to you, but one bought privately (through the classifieds, for example.)
I think dads let babies take more of a risk, maybe bounce off a bed more or jump off a couch or do more risk-taking things.
The experience with 'The Knick' is a singular experience. That experience taught me a lot about acting and about being on camera for extended periods of time to try to create a character arc that travels.
Nobody with a criminal record would ever be allowed to buy a gun. All assault weapons would be banned, completely. And everybody who still possesses a gun license would receive mandatory education and training by professionals on how to handle a gun. After all, I can't drive my car until I pass a test proving I know how to handle a car.
I'm terrible at jigsaw puzzles. Other people solve the puzzle but I just keep trying to make the pieces that don't fit fit. I guess that's what makes me special, I try to assemble jigsaw puzzles incorrectly.
If a kid is old enough to drive a car or buy a gun, isn't he old enough to be held personally responsible for what he does with his car or gun? Or if he's a teenager, should someone else be blamed because he isn't as enlightened as an eighteen-year-old?
Surfing is all about uncertainty. That feeling of taking a risk, that leap of faith every time I jump into the ocean, that paddle out among things unseen — all of these make surfing very special
Living is a risk," I snapped at him. "Every decision, every interaction, every step, every time you get out of bed in the morning, you take a risk. To survive is to know you're taking that risk and to not get out of bed clutching illusions of safety.
In my job, I have many operations, so I tend to use time in my car to think. I get in the car after work and drive all night -11 hours, Vancouver to Banff.
The irony is that it was tougher to rent a car from Cerberus when it owned Alamo than to buy a semi-automatic. To rent a car, one had to provide ID, a drivers' license, and get insurance coverage. To buy a gun? Cash and carry, from the back of a station wagon at a gun show. No concerns about downstream liability or risk.
It's not a gender thing. You can pick anyone off the street and it depends on his or her own character how they can drive a car.
Managing risk is a key variable, frankly, all aspects of life, business is just one of them, and one of the things that most people do in terms of managing risk, that's actually bad thinking, is they think they can manage risk to zero. Everything has some risk to it. You know, you drive your car down the street, a drunk driver may hit you. So what you're doing is you're actually trying to get to an acceptable level of risk.
Living as an actor is rather like living life on the trapezes in a circus. Every time you jump on, you have to pray that, when the time comes for you to jump off, there is another trapeze swinging your way.
Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.
My background is in math and science, and I thrive on complexity, and I think lots of people do. People love puzzles; it's human nature to want to solve puzzles.
I think theatre must be an event, an experience, not compete with cinema. When people are able to download stories on Netflix, you need to give them a good reason to jump into the car and drive two hours. It has to be something you can only see in the theatre, and it has to be worth it.
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