A Quote by David Carradine

One thing I've noticed is that I can tell when a young actor or a young actress is going to become a huge star. Everybody else will say, "Oh come on, Michelle Pfeiffer, are you kidding?" and I'm pretty much always right about that.
In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.
I've always had a thing for Catwoman. Michelle Pfeiffer or Halle Berry in tight leather pants, with the boots - I'm pretty good with either one.
They're making a movie about Barack and Michelle Obama's first date, called 'Southside With You,' and the producers say they've already cast someone to play young Barack Obama. Now, I'm not saying the president has aged a lot but that young actor is Morgan Freeman.
Lots of young singers come to me and ask, 'May I sing to you?' I say, 'Yes, you can sing to me as long as you don't mind what I tell you, because I'm not going to flatter you. I'm going to tell you what I think.' Oh, yes, they're quite happy about that, until they hear it.
That was cool, getting to work with Ryan Gosling. I knew he was going to be a huge star after I saw him in that Showtime thing that he did when he was really young [The Believer]. I think the most fun thing about that was I'd never seen somebody that had so many questions about the specifics of everything: where you ate, how much you ate, how much you drank. He's very special.
One thing I noticed when I was young was I was impatient for success. I think everybody is impatient for success. It will come. But don't - you shouldn't let that impatience drive you crazy.
Every time my sister and I went on the set with my mother, everyone would be like, 'Oh my god, she's going to become a star.' So in my head, I always thought I was going to be an actress, but not so soon.
I was very much into science when I was young - I wanted to be a marine biologist, then I wanted to be a doctor, and then something else, I was always changing. Acting didn't come up until much later, probably about 16 or 17. I thought, "Oh, I quite like this."
When I was young, I was very blessed to have this insight that my best work would be when I was an older actress. I just always knew that as a young actress.
I grew up on a farm in a small town where you do or say one thing and everybody knows about it. You see it happen, there's always the town gossip - 'Oh did you hear about so and so, or did you hear what went on in this household?' So I learned at a very young age just to keep my mouth shut.
I didn't become an actor to make money. And I didn't become an actor to be famous - though people always gasp if you say that, as if it's unfathomable that an actor doesn't want to be a star.
I had a dream, as young people have quite idealistic dreams and goals, of, 'I'm going to go to Los Angeles, and I'm going to become a star!' I did get this huge record deal, and I recorded this music under Xavier. That didn't really work out.
It is something I've noticed - that my audiences are young. My only thought has been because I play all-ages shows. Even so, they're pretty young, and sometimes I'm nervous the content of my songs - these weird, ambiguous, philosophical ideas I'm trying to articulate. Are the kids getting it? Is it going over their heads?
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
Where I come from, you don't just say, 'Oh, I'm going to become an actor.' Talk like that and they think you're crazy.
When a young woman tells me that she wants to become and actor, I say, 'No, be a writer. Or go to business school and learn how to run a studio.' The only real change will come from behind the scenes.
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