A Quote by David Lee Roth
If you put a Van Halen album in your record collection, it will melt all the rest of your records.
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Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.
I do remember being a kid and hearing Van Halen. My dad was always playing Van Halen in the car.
At some point I decided I didn't want to learn any more guitar technique. I was at that level where the next mountain there was to climb was Van Halen and I didn't really like Van Halen.
That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
Greg Ginn was certainly a huge influence on my guitar playing. I put him up there with people like Eddie Van Halen. Eddie Van Halen changed everything; I don't necessarily like everything he did, but he definitely changed everything.
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
In Van Halen there were moments, like in some of the ballads, I put my heart and soul into those records. Those lyrics when I sang 'em, I gave myself goosebumps.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings. Like it's a collection of your diary entries and you pick which one's gonna make the most sense together and you put out a record and you sort of live it.
I believe that the art market is in a place similar to the music industry in 2005. Big changes are coming and the art market will most likely be very different in ten years. However, if you are the art equivalent of Van Halen, you don't really have to change anything. But if you are not Van Halen, then it is time to figure how to adapt to all the changes.
The first Van Halen album makes Johnny Rotten out to be what he really was and still is: a hairdresser.
If I had had a chance to tour with Van Halen before the record, I think it would have been a different record.
It wasn't until the fourth or fifth Van Halen record that people would go, 'Wow! You're singing backgrounds on those records. That's not David Lee Roth.' And I go, 'Hell, no! That's not David Lee Roth.'
My wife, when I met her, she had a remarkable record collection. And they were all still in their sleeves! I couldn't believe it. She took care of her records. Rachmaninov, Beefheart. For me, most of my records were out of their sleeves and in a drawer somewhere. I married a record collection.
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