A Quote by David Lee Roth

On parties it's not about who you are. The real reason to which a party revolves is how good you look. — © David Lee Roth
On parties it's not about who you are. The real reason to which a party revolves is how good you look.
I believe in the platform of the Libertarian party, which is different from that of the other two parties and I believe that it would be good for the country if the Libertarians were - had a seat at the table to speak truth to power of the other two parties, which now have this monopoly in Washington. Having said that, I'm not taking back anything I said about the massive difference between the two establishment party candidates.
The world needs you. It doesn't need you at a party having read a book about how to appear smart at parties - these books exist, and they're tempting - but resist falling into that trap. The world needs you at the party starting real conversations, saying, 'I don't know,' and being kind.
It's good news that all the parties, well, with the exception of the People's Party, recognize that we're in a climate crisis. It's bad news that there are parties that still are not being upfront and honest with the people of Canada about what we need to do about it.
The Tea Party thing is only apt in some ways. The activism in the town halls, that looks superficially like it. But what the Tea Party did was, they went after the party, the Republican Party, as their vehicle. And parties is how you change history.
Bachelors know all about parties. In fact, a good bachelor is a living, breathing party all by himself. At least that is what my girlfriend said when she found the gin bottles under the couch. I believe her exact words were, "You're a disgusting, drunken mess." And that's a good description of a party, if it's done right.
I haven't chosen any party yet because people choose parties when they get older. When it's time, I'll look, and if I can't find one to join, I'll make another party.
I think frustration unfortunately, reflects a real breakdown in the political parties themselves, which is fascinating because our constitution did not anticipate political parties. They're not even written in the Constitution, there's no guidelines. When we look at the arcane processes of delegate selection in the primaries and caucuses, it's not in the Constitution. This is all created post Constitution. And yet I think we're in the middle of tensions between and within the political parties. They're not functioning that well.
Real poetry is a party, a wild party, a party where anything might happen. A party from which you may never return home.
'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.
I think there is a real misunderstanding about what the Tea Party movement is. The Tea Party movement is a sentiment in America that government is broken - both parties are to blame - and if we don't do something soon, this exceptional country will be lost, and it will become just like everybody else.
MPs are basically bonded labourers of their parties. And it is the party high command of each party, which takes decisions.
Every single figure on Mount Rushmore was a third party at one time or another, so third parties become major parties, and I think that the Libertarian Party may become my major party.
Real political issues cannot be manufactured by the leaders of political parties, and real ones cannot be evaded by political parties. The real political issues of the day declare themselves, and come out of the depths of that deep which we call public opinion.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
I've been talking a lot about how music chooses you because you can pinpoint when you had the epiphany that, 'Wow, I really want to do this.' But there's no real rhyme or reason about choosing to be in this industry. It's one of those things where there is no real guarantee; there is no real rulebook to follow.
How can days and happenings and moments so good become so quickly ugly, and for no reason, for no real reason? Just - change. With nothing causing it.
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