A Quote by David Maraniss
There was a precarious balance during those crucial months between composition and decomposition - what the world gained and what a great city lost. Even then, some part of Detroit was dying, and that is where the story begins.
Related Quotes
It seemed that I could tell the whole story pretty powerfully in those 18 months between October of '62 and the spring of '64 when they were all at their peak. And yet you could see some of the shadows of Detroit's demise coming.
Detroit 1-8-7' - the numbers are police slang for murder - is filmed in that blue-collar Michigan city, providing a flavor of authenticity. Detroit offers a unique visual landscape that tells the story of the city and what it's been through.
'Detroit 1-8-7' - the numbers are police slang for murder - is filmed in that blue-collar Michigan city, providing a flavor of authenticity. Detroit offers a unique visual landscape that tells the story of the city and what it's been through.
I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.
Somewhere between sanity and madness lays a fine line, for some it is a tightrope walked daily, a fight for balance to be won or lost. That fight is lost one of two ways. Some simply lose their balance and fall, others are pushed.
My position is that the rate should align with the level of economic development. Because it is always about a balance, a balance of interests, and it should reflect this balance. A balance between those who sell something across the border and those who benefit from a low rate, as well as a balance between the interests of those who buy, who need the rate to be higher. A balance between national producers, for example, agricultural producers who are interested in it.
Being a resident of the city and spending most of my time in the city, I've always been perplexed with how people could say there's nothing to do and nothing going on in Detroit, and how could you raise your family in Detroit. My reality is that I hang around with some of the most interesting creative people in the world, people doing things that could only be done in Detroit.
So, I mean, there's still vast swaths of the city that are suffering from a lack of jobs and poor housing and poor public schools, but they are building momentum - you know, techies, foodies, artists, musicians, all coming to Detroit. So there is this vibrancy. You see it in the newspapers every day - some story about the new Detroit.
Detroit is an urban hell. But even in this city of the dying auto industry, there is reason to hope, if they manage to combine the creative forces of designers and other intellectual "suppliers" in other ways.
I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
The end of 'Hollow City' left the peculiar children in a very precarious spot, and that's just where 'Library of Souls' begins.
In some exquisite critical hints on "Eurythmy," Goethe remarks, "that the best composition in pictures is that which, observing the most delicate laws of harmony, so arranges the objects that they by their position tell their own story." And the rule thus applied to composition in painting applies no less to composition in literature.
In this world we are in precarious position, balanced midway between material and spiritual hungers. We find heaven to be a delicate state of consciousness that can be lost in a single moment of forgetfulness.
Even the greatest idea can become meaningless in the rush to judgement. To gauge an idea as feasible we must cut our ties to the status quo and find the balance between constructive criticism and judgment. Within that balance we will uncover crucial input for making our ideas a reality.
Between 2012 and 2016, Donald Trump earned 14,000 more votes than Mitt Romney did in Detroit. It was wonderful to have a candidate in our party come to Detroit and campaign and actually show up and invest time there even though he probably didn't think he was going to win Detroit.
Always, some great culture is dying to enrich the soil of new harvests, some civlization is crumbling to rubbish to be the hill of a more beautiful city, some race is spending itself that a lower and more barbarous world may inherit its stored treasure house.
Related Authors
Ambrose Bierce Quotes
American
Journalist
Andy Rooney Quotes
American
Journalist
Ann Coulter Quotes
American
Journalist
Anna Quindlen Quotes
American
Journalist
Bill Vaughan Quotes
American
Journalist
Dave Barry Quotes
American
Journalist
Dennis Prager Quotes
American
Journalist
Erma Bombeck Quotes
American
Journalist
Fran Lebowitz Quotes
American
Journalist
George Will Quotes
American
Journalist
Glenn Beck Quotes
American
Journalist
Hunter S. Thompson Quotes
American
Journalist
Mignon McLaughlin Quotes
American
Journalist
Molly Ivins Quotes
American
Journalist
Rachel Maddow Quotes
American
Journalist
Walter Lippmann Quotes
American
Journalist