A Quote by David Morse
I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
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When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.
There are so many stage actors on TV but you wouldn't know they were stage actors. And film and TV actors are going to the stage as well, so the crossover is great now.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
I do think that science fiction ideas are best expressed through visual media like film and TV. Realist literature depicts things that we have seen in life, but science fiction is different: what it depicts exists only in the author's imagination. When it comes to science fiction, the written word is inadequate.
I had the great good fortune of working with Christopher Plummer, Frances Sternhagen, and Arthur Hill early in my career, and it set a standard for the kind of work I want to do.
If you don't care about science enough to be interested in it on its own, you shouldn't try to write hard science fiction. You can write like Ray Bradbury and Harlan Ellison as much as you want.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
You can't be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.
The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
I think Ada in 'The Piano' is the most interior character I've ever had the chance to play, either on the stage or in anything I've done for film or TV.
With Asian-Americans actors, specifically, there's been fewer opportunities for them in TV and film and fewer that have the ability to actually make a career out of it. It becomes a bit of a chicken and egg situation, where they're like, 'Oh, but they're not famous names,' but they haven't had a chance to be in anything yet, either.
I never had a favourite book! I liked all kinds of things - science fiction, so I read Heinlen and Ray Bradbury, and I also liked reading about kids like myself, so I read Judy Blume and Norma Klein and Paula Danzinger and a lot of other writers. I also read James Herriot!
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