Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful
Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
Folk songs in general, I like. The old spooky Scottish folk songs.
Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.
Be serious. Folk songs are serious. That's what Pete Seeger told me. 'Arlo, I only wanna tell you one thing. Folk songs are serious.' And I said, 'Right.'
Photography is a craft. Anyone can learn a craft with normal intelligence and application. To take it beyond the craft is something else. That's when magic comes in. And I don't know that there's any explanation for that.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
Robert Burns enriched Scottish song with his genius and is mainly responsible for the rich treasure house of song that we enjoy today. He collected folk songs, retained the melodic line, kept what words were usable and rewrote the rest. He didn't claim ownership.
My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
People sing each other's songs and they cultivate standards. That's the reason why we have folk music and folk stories. History is told through song.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
Everybody would grab a guitar and listen to somebody else and call themselves a folk singer. When they didn't know no more songs, they'd run out of them.
We have to preserve folk in its authenticity. Else folk will become fake.
Laurie Lewis' songs combine passion and sheer craft in a way you don't hear very often. Whatever country music is supposed to be, she's at the center of it.