A Quote by David Means
What I appreciate about Radiohead's work - and it's most evident in 'Hail to the Thief' - is how the juxtaposition of narratives on the band's albums somehow creates a sense of wholeness.
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Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
Radiohead is one of the bands I appreciate. That's a great career band. It's not like critics are comparing us to a flash in the pan.
Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
We are different people - you get a different take on the band whoever you speak to. Somehow, at the end of it, it goes through the filtering process and out comes the Radiohead thing.
Out of the cacophony of random suffering and chaos that can mark human life, the life artist sees or creates a symphony of meaning and order. A life of wholeness does not depend on what we experience. Wholeness depends on how we experience our lives.
Hail, Columbia! happy land! Hail, ye heroes! heaven-born band! Who fought and bled in Freedom's cause.
In 'Kid A' and 'Amnesiac,' Mr. Yorke's lyrics were often unfathomable, moaned and mumbled and forced beneath the surface of the music. In 'Hail to the Thief,' most but not all of the words can be decoded after a few listens.
I never worry about the social backlash against my work because I'm a man in a dress, and somehow American society creates a buffer on how severe things are when you put a man in a dress.
Well, I know, after all, it is only juxtaposition, Juxtaposition, in short; and what is juxtaposition?
I feel like fans really want to spread the word about the band. I guess when you've done three records, you feel that you really start to appreciate it. We're looking at it all and it's just like, wow. You appreciate it differently when you work hard for it.
Health is wholeness--wholeness in its most profound sense, with nothing left out and everything in just the right order to manifest the mystery of balance. Far from being simply the absence of disease, health is a dynamic and harmonious equilibrium of all the elements and forces making up and surrounding a human being.
I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
As we let go of the machine model of work, we begin to step back and see ourselves in new ways, to appreciate wholeness, and to design organizations that honor and make use of the totality of who we are.
On one level, I'm interested in how the space dictates the effect visually - how the composition of a given work changes depending on the nature of each wall. But I'm also trying to emphasize less tangible elements: the amount of time it takes to walk the gallery's perimeter; how one's physical distance affects his or her sense of the overall composition; how the size of the space creates a sense of visual rhythm. It's really a matter of seeing how much structure is necessary to impose for those things to become apparent.
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