A Quote by David Prowse
George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!
Related Quotes
People felt themselves watching him even before they knew that there was anything different about him. His eyes made a person think that he heard things that no one else had ever heard, that he knew things no one had ever guessed before. He did not seem quite human.
I still think about the letter you asked me to write. It nags at me, even though you're gone and there's no one to give it to anymore. Sometimes I work on it in my head, trying to map out the story you asked me to tell, about everything that happened this past fall and winter. It's all still there, like a movie I can watch when I want to. Which is never.
People have heard about me, but they haven't heard about things my brother and my parents have gone through, and stories about growing up and living a dream come true.
Even though I'd been invited to the combine, I didn't test particularly well. That didn't really surprise me, I had I no expectation that I'd shock people with an insane 40 time. But I knew things weren't looking good when I started getting asked a lot of questions about the size of my hands.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
When Kubrick called me about 'The Shining,' it was very strange. He first asked me to write music for his film, but I instead gave him suggestions about some of my pieces. I told him about 'The Awakening of Jacob,' which he did use in 'The Shining.'
When I think about a book like 'A Clockwork Orange,' which I really loved, the weird hybrid language is what I remember most.
I found out when I was 18 that Dad had left my mother and the family before he realised he was ill and then died. When I asked Mum about it, she just sort of shrugged it off and said she'd thought I knew about it all along. Of course I hadn't, though I'm sure she must have been desperately unhappy at the time.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
Balaji has always had great market presence, be it in film or television - everyone was talking about the titles, about what happened on the sets, even the most bizarre and outrageous things are out there to be judged by audiences who inevitably decide to come to the theatres to watch our film.
When I was asked to leave, I left... Then they made me come back. I did, and I decided to enjoy it. It was one year. I care about everyone at 'Criminal Minds' but I knew, in my heart, I had left.
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
Of course they may have corrected it by now, but the original titles at the end of Annie Hall say "Christophe Vlaken." It was just inconceivable. These things are checked...I don't know what that was about. I'd never seen or heard of it. How they came up with the name Christophe Vlaken, it must've been a conspiracy. I did ask about it but nobody knew.
[Ranger] "How's your mental health?" he asked. "I heard about Soder." [Stephanie] "I'm rattled." "I have a cure." Oh, boy. He put the truck in gear and headed for the exit. "I know what you're thinking," he said. "And that wasn't where I was going. I was going to suggest work." "I knew that." He looked over at me and grinned. "You want me bad." I did. God help me.
When I make a film, I never stop uncovering mysteries, making discoveries. When I'm writing, filming, editing, even doing promotional work, I discover new things about the film, about myself, and about others. That is what I'm subconsciously looking for when shooting a film: to glimpse the enigmas of life, even if I don't resolve them, but at least to uncover them. Cinema is curiosity in the most intense meaning of the word.
I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor