A Quote by David Sanborn
I think, in a lot of ways, it's easier to play a smaller room. You can exploit the quieter dynamics you would shy away from in larger venues.
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I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
In a lot of ways I look at these old photos, and I don't know if I would have been able to communicate with these people on this level if I didn't have a camera. I think I would still be so shy.
I prefer to play in smaller venues because I like the intimacy, the connection with the audience.
I headline concert halls for 20,000 people, but I still play smaller venues.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
For someone like me, if I ever had huge success or whatever that is, I would just play smaller venues two to three nights in a row just to keep the intimacy level there and that's my take on it, but it just depends what you're going for.
A church must grow larger and smaller at the same time. Larger through worship and smaller through small groups.
I do think, in the future, headlamps are probably going to be smaller, slimmer. I also think that a lot of designers will start playing around with the daylight running lights. That gives a lot of character to the vehicles in different ways, so I think designers are going to play around with that to try and give each brand a certain DNA so you can almost recognize what car it is when you look at the headlamps.
Magic does that. It wastes you away. Once it grips you by the ear, the real world gets quieter and quieter, until you can hardly hear it at all.
I liked being in a smaller theater. I love doing shows of all sizes, but sometimes it's nice to be in a smaller space and to strip away some of the music so that you can be a little less than larger-than-life; you can be a little more naturalistic.
As far as dream venues, I've played all the venues I'd love to play.
I play some places where the people are right at my feet, and you can see their expressions. It's kind of more like playing in your living room. It's almost easier to play in front of thousands of people in an arena scene, in some ways, but you don't get the personal contact.
Obviously, you can't operate a system at 100 percent capacity. You need room for growth. And because there are peak times, you need surge capacity. But it is easier to reduce and manage excess capacity in larger units than smaller, especially when you have a diversity of users who have different peak periods and different growth rates. That's why the utility model is intriguing.
I'm concerned with the lost, the lonely, the shy. I think shyness is in some ways more widespread now than formerly. I used to be shy myself. Of course, you can't be me now and remain shy, but I remember very well what it felt like.
I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun.
I think it makes the game much easier to play once you have a good cohesion off the court. I think that's big because you come into a locker room at the NBA level, there's so much emotion, so much pride in the locker room.
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