A Quote by David Selby
When I was younger I decided I'd hop on the train to New York.
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New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
Growing up in New York City, my car culture is minimal. I rode on the train, the bus. I walked; I rode my bike, and when I was younger, I rode my skateboard.
I went to New York to be born again. And when the train plunged into a tunnel under New York City, with its lining of pipes and wires, I was out of the womb and into the birth canal.
Everybody's in New York and, hopefully, my younger kids will go to college in New York and find something they want to do so they'll stay in the city
I've always been noted for being original and doing different thing. So for me to hop on the train that's going on would be - shoot, if I wanted to hop on the train, I might as well have hopped on gangsta rap back when it was popular and tried to do that.
Brooklyn just got that energy to me that's so hip-hop and so New York City. You know, New York City is the grittiest city in the world.
In June 2002, I had just finished 'Laurel Canyon' and decided to move back to Los Angeles after nearly a decade in New York. Post-9/11 New York felt different.
I remember finding this book, which showed a New York subway train that had been covered in so much graffiti you couldn't recognise it was a train. I thought, 'I want to do that... how do you do that?'
Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
Hip-hop originated from the Bronx specifically; that means everything. I'm down the block from where hip-hop was born and raised, so I'm glad I am here and I'm able to represent New York the way I am.
Growing up so close to New York City, I always loved going to the city, but I'd be disappointed because songs about New York always made it seem so magical and perfect, and when I was younger, I just thought it was busy and dirty.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
N.Y. hip-hop is ok, but we gotta become brave again; we have to be brave enough and do something new - that's what New York is about... New.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
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