A Quote by David Tang
Chairman Mao not only introduced Pinyin in China, but also simplified half the Chinese characters, believing that fewer strokes would enable more people to learn to write the characters.
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Whatever the price of the Chinese Revolution, it has obviously succeeded not only in producing more efficient and dedicated administration, but also in fostering high morale and community of purpose. The social experiment in China under Chairman Mao's leadership is one of the most important and successful in human history.
We must make a clear distinction between the nature of Chairman Mao's mistakes and the crimes of Lin Biao and the Gang of Four. For most of his life, Chairman Mao did very good things. Many times he saved the Party and the state from crisis. Without him the Chinese people would, at the very least, have spent much more time groping in the dark.
Chairman Mao was after all a principal founder of the Chinese Communist Party and the People's Republic of China. In evaluating his merits and mistakes, we hold that his mistakes were only secondary. What he did for the Chinese people can never be erased. In our hearts we Chinese will always cherish him as a founder of our Party and our state.
In the past there were too many portraits of Chairman Mao in China. They were hung everywhere. That was not proper and it didn't really show respect for Chairman Mao.
Not only did Mao Zedong Thought lead us to victory in the revolution in the past; it is - and will continue to be - a treasured possession of the Chinese Communist Party and of our country. That is why we will forever keep Chairman Mao's portrait on Tiananmen Gate as a symbol of our country, and we will always remember him as a founder of our Party and state. Moreover, we will adhere to Mao Zedong Thought. We will not do to Chairman Mao what Khrushchev did to Stalin.
I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
We should not lay all past mistakes on Chairman Mao. So we must be very objective in assessing him. His contributions were primary, his mistakes secondary. In China, we will inherit the many good things in Chairman Mao's thinking while at the same time explaining clearly the mistakes he made.
In my own art, I try to use my personal voice and effort to enable some Chinese people to see the possibilities of another kind of China. A more open China.
Mao said he was prepared to have millions of Chinese people perish in a nuclear war as long as China survived... I'm beginning to find it more and more sick that only humans make it into our calculations... Annihilate life on earth, but save the nation... what's the subject heading? Stupidity or Insanity?
The modern economics of the theater is such that we write plays with fewer and fewer characters.
It should be pointed out that some of the things done after the arrest of the Gang of Four were inconsistent with Chairman Mao's wishes, for instance, the construction of the Chairman Mao Memorial Hall. He had proposed in the fifties that we should all be cremated when we died and that only our ashes be kept, that no remains should be preserved and no tombs built.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
If children were brought up to become non-conformists it would only ruin their lives. So parents all over China who loved their children told them to do as Chairman Mao said. It was not possible to tell them anything else.
First, there was Confucius. Then, the sayings of Chairman Mao. And now the pithy, ironic, and humorous insights of Ai Weiwei. I thoroughly enjoyed reading this collection, which reflects a well-developed philosophy as well as a keen understanding of the Chinese Communist system. This is China made easy and interesting.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
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