A Quote by David Whyte
You'll always love the person, if you're sensible. But you get a lot of people, especially in divorces and separations, doing a lot of damage to themselves, because they can't figure out that they actually still love this person, but not in their original way.
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I'm the person in my skin. I'm the person in my own body. And a lot of people just need to love themselves and focus on them and they wouldn't be worried about what anyone else is doing.
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.
A lot of people thought I wasn't doing anything because I was spending a lot of time socialising and going out, but I've always managed to get work actually done.
I talk about my grandmother a lot, because she's an amazing person - not in some dramatic, distinct, unique way, but anybody who is the daughter of enslaved people and who has found a way to be hopeful and create love and value justice and seek peace is a remarkable person.
If you actually get that you're not entitled to be loved, not by one person, not by anybody, and if you get that and then you look at people who love you - who love you - who think, my life is better because you, you are in it - that they get up and think, my whole world is better because you're in it, that for some reason they love you, and that they walk this world when you're not around thinking, but you're in it, and they come home and they want to call you, they want to come home and see you, your face - you can never make a person love you but somehow they do.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
I could see how you could do extreme things for the person you loved. Adam One said that when you loved a person, that love might not always get returned the way you wanted, but it was a good thing anyway because love went out all around you like an energy wave, and a creature you didn't know would be helped by it.
I LOVE YOU SO MANY REASONS ' --- Before i met you I spent a lot of time meeting all kinds of people i had a lot of fun and learned a lot Though each person I met had great characteristics something was missing No one person had all the qualities that I had hoped a person could have- someone whose every action and thought I could respect someone who was very intelligent yet could also be fun-loving someone who was sensitive, yet virile exciting and sensuous someone who knew what they wanted out of life. a beautiful person inside and out I could not find a person like this until i met you
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I think a lot of people try to edit themselves out and I think that's a big mistake, because the person being interviewed is responding to a person, and if you don't know who that person is then you don't really know what's going on with the person being interviewed.
The stage for our whole show is actually really interesting and a lot of fun. There's always something going on so we figure even the people who come up and don't know Big Time Rush love the show because there's always something going on, so that's what we love about it.
People still do fall in and out of love and can and cannot express what they feel and are very much pained because the person they love is with somebody else. That's happening the whole world over, and I think it always has been.
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
It seems like everything is so polarized. You get the caricatures of people, the caricatures of their beliefs. "I hate this kind of person" or "I love this kind of person." But actually, there's a lot of great things about them. There are things to like. There's possibility of change.
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