A Quote by David Hudgins

When you're on a daytime drama you get one page, you better damn well know your character. You better know what she would do in every situation because it's a very, very fast paced business. You do ninety pages a day on a Soap Opera. It's insane. It's such a small world, the soaps. It's all contained in one little studio.
Soaps are the best. They really are. If you can do a soap, well, you can do anything. You have to learn pages of dialogue very quickly.
That is another reason this transition for me into soaps makes sense for me, because I would get to work at my craft every day. I would be able to play this very real character.
Soaps taught me the fundamentals of the game. You know, how to show up, hit your mark, how to be on time. That soap opera world is a microcosm of the entertainment culture.
There's no better training than working on a soap opera because of the amount of hours, the amount of pages you do a day are unbelievable. It's the best training I had in terms of discipline.
You have to have a big vision and take very small steps to get there. You have to be humble as you execute but visionary and gigantic in terms of your aspiration. In the Internet industry, it's not about grand innovation, it's about a lot of little innovations: every day, every week, every month, making something a little bit better.
You have to have a big vision and take very small steps to get there. You have to be humble as you execute but visionary and gigantic in terms of your aspiration. In the internet industry it's not about grand innovation, it's about a lot of little innovations: every day, every week, every month, making something a little bit better.
Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.
I'm a very strange painter. I don't wake up one day and say, 'God, isn't this a fantastic day, I'd better get out and paint!' I think my father's more that way, because he's very fast.
The maha-mantra was prescribed for modern times because of the fast-paced nature of things today. Even when people do get into a little quiet place, it's very difficult to calm the mind for very long.
I know that New York is big - there are huge buildings - but, in fact, it's quite small and contained... I like it when cities are melancholic. When it started snowing, for example, I felt very lonely. I felt very comfortable and very relaxed. When that happens, I write. So I've been writing, not a lot, but I'm inspired every day.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
In daytime, you're shooting an episode a day, which is on average about 90 pages of script a day. That is very hectic. On '90210,' you get to work through it a little more. You're not just flying through it just to get it done.
Oddly enough, government policy helped get the fast food outlets into the city. Very well-intentioned small business administration loans to encourage minority business ownership. The easiest business to get into is opening a fast-food franchise in the inner city.
The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.
Drama schools are very small community, a very incestuous community, so you get to know one another very, very quickly and it just washes over after a while. Every now and then I'll say "dude" or I'll say "bro," and people will laugh.
Actually, I think business women are better women at home, if you want to know the truth because you do understand what goes into a day's work out in the world, a very nerve-racking affair.
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