A Quote by David Heyman
The only way I can work is if I care and am passionate about a project, so the challenge is to find projects that I feel that way about.
Related Quotes
I am very passionate about being an actor, and I allow my passion to find its outlet in the work I do. I don't believe that it can be called perfection. It is true that when I am intensely passionate about my films, which I am, I don't leave any stone unturned and I put every ounce of my energy into that project.
I like a challenge. I need to feel passionate about something. If I'm not passionate about it, I can't stand it. It has to feel real. DJ'ing, touring, charity work - anything.
If there's anything in life that we should be passionate about, it's the gospel. And I don't mean passionate only about sharing it with others. I mean passionate about thinking about it, dwelling on it, rejoicing in it, allowing it to color the way we look at the world. Only one thing can be of first importance to each of us. And only the gospel ought to be.
I love when you get to work with people who care about the project as much as you do because then, you're altogether in. I feel like I've been lucky so far to have the chance to work with people who work that way.
I focus on projects I am passionate about and only work with people I respect. Without these supportive teams, partners and clients, I could never work on so many things. I am fortunate that they see the value in the multiplicity of my work and how it all comes together in a kind of virtuous cycle.
I am so passionate about my work that when I reach there and I become my character, I don't really need to think about my problems. My family is so strong that I don't really feel that there are so many problems. I feel my family takes care of me and I can work.
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
To do stories that I love, scripts that I love, and work with people who are passionate about them and passionate about projects - whether that's on stage or television or film, that's the kind of environment I want to work in.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
I would, like any other scientist, willingly change my mind if the evidence led me to do so. So I care about what's true, I care about evidence, I care about evidence as the reason for knowing what is true. It is true that I come across rather passionate sometimes - and that's because I am passionate about the truth... I do get very impatient with humbug, with cant, with fakery, with charlatans.
I'd rather be around a passionate nerd than a non-passionate cool person. Because if you lack passion, your soul is diminishing by the second. You have to be passionate about something. Call it obsessed or whatever you want, but be obsessed about something. Obsessed people care. I'm passionate about so many things, it becomes an issue at certain points, but at least you have the ability to feel that much about something.
I do have aspirations when it comes to directing, I suppose, but in a sort of a vague way. It would probably come about if I found a project that I really felt passionate about.
Who cares and who doesn't care about a project, is going to shape the project in a significant way.
I think it's not a big secret that I like to work a lot. I really go out for projects when I find things I'm passionate about.
I've been lucky to find people who want to work with me, whom I respect and like, but the truth is there aren't that many good projects out there. And we make way, way too many movies. So it's not always going to happen with every project. But I try and wait it out.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
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