A Quote by David Hockney

Every good artist I know, I always think works hard, we're working all the time. — © David Hockney
Every good artist I know, I always think works hard, we're working all the time.
I think I know I've been working very hard for the family business, sometimes those days are long days and I think if I know I'm working hard and pulling my weight, both working and playing hard at the same time, I think everyone who I work with can see I am there pulling my weight.
Don't be afraid to be awesome. Sometimes being weird and different is good. When you think you're working hard, there is always someone else working harder, so always be yourself and know your stuff.
You become sort of insulated in this bubble when you're working on something that it's hard to have an outsider's perspective on what works and what doesn't so it's always good to see what other people think.
For me, I always try and deliver. Regardless of the situation, I always try and play hard every time I step out on the court. If I don't deliver and play well, then I know I haven't been working hard enough.
I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it.
It's hard for me to judge my own films as an artist sometimes. But as an artist, I did feel a fulfillment working on them, you know?
I hope someone thinks I sing good. I'm always working hard to sing better. I sound the way I sound, but I can always be better. I work hard at singing and being a better recording artist.
If we marvel at the artist who has written a great book, we must marvel more at those people whose lives are works of art and who don't even know it, who wouldn't believe it if they were told. However hard work good writing may be, it is easier than good living.
Our best performances are so stained with sin, that it is hard to know whether they are good works or bad works.
My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time. He was always so frustrated having to work to support the family that I was like, I'm never going to do that. I don't want to just be working a menial job to support my family and dreaming of being an artist. We learn from our fathers in that way.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
Working a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you. I dropped out of college at 21 and my illustration hadn't yet taken off. It is more than working in a store. It is a hard way to make a living but you earn more than in a similarly unskilled job.
I'm out there every night working my butt off trying to do what I do, and that is entertain every single person that paid their hard earned money for a ticket. So I think people realize that and I think over time, I feel like that's grown, definitely.
I think every directing team works differently in the same manner that every director works differently. Everybody has a different personality and a different way of working, and that somehow evolves in the process.
I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.
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