You can't get a contemporary story about what is going on inside government, and how society sees itself, on American TV.
Talk about threats to national security -- how about government so big, so complicated and so unmanageable, it cant get out of its own way?
The dioxin story is the story of how science has failed to provide us with answers, how corporations control policymaking and decisions in our society, and how government is silenced.
I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.
I was surprised how relevant the Moses story was to contemporary American debates - from our ongoing debate about values, to our role as champions of freedom, to our place as a country that welcome immigrants.
If you gauge how you're doing on whether somebody is responding vocally or not, you're up a creek. You can't do that; you kind of have to be inside of your work and play the scene. And tell the story every day. Tell the story. Tell the story. Regardless of how people are responding, I'm going to tell the story.
I fell into TV quite by accident but once I was in a newsroom for the very first time, I was hooked because I loved the adrenaline. There was a breaking story that day and people were running around to get the news on the air. I thought, Jesus, how do you get to do this? So, that's how it started. The bulk of my career was in TV.
... where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing but cant, cant, cant.
We should be open to a discussion on keeping guns out of the hands of the mentally ill. I don't know how that manifests itself, but I'm looking to get elected president of the United States. I just want to let people know I have an open mind about how we might - how government might - interject itself in a lot of the problems we have.
One of these days, someone smarter and younger and more articulate than I is going to get through to the American people just how really messed up the federal government has become. And when that happens, the American people are going to rise up like that football crowd in Cleveland and run both teams off the field.
Bourgeois society, rife with an atomism or monadism of secluded egos, is profoundly uncomfortable with topics of domination just because of the rift between how it sees itself (Kantian autonomism) and how it actually exists (pathetic prole-culture).
The government satirizes itself. All we can wish is that there will be a large number of Americans who will realize how dumb this all is, and how greedy and how vicious. Such an audience is dwindling all the time because of TV.
To me, 'Kita y Fernanda' is very much an American story, and I know some people are going to think it's a Latina story, but it's about shifting people's paradigms and views of what it is to be American.
I have tried to defend what is most precious to our American society, a society that is now at war against the forces of racial intolerance.A big part of me making the decision was how important the play is for the times that we live in. This is a classic. It's a masterpiece of American playwriting. It's about discrimination and it's about we Mexicans being a target for so many years.
The Peña Nieto government is not going to investigate itself; there's no true autonomy in the investigative and justice branches of the government in Mexico. The recent Mexican crimes and scandals, is profoundly structural, and you'd have to change the way Mexico is run, create a truly independent special prosecutor's office, to even have a chance to get close to achieving justice. People, including the families and many others throughout Mexican society, aren't going to give up in fighting for just that kind of change.
I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"