A Quote by David Harewood

The idea that people are watching me now is a bit unnerving, but I suppose it comes with the territory. It is, perhaps, the modern side of celebrity. — © David Harewood
The idea that people are watching me now is a bit unnerving, but I suppose it comes with the territory. It is, perhaps, the modern side of celebrity.
Perhaps these ancient observatories like Stonehenge perennially impress modern people because modern people have no idea how the Sun, Moon, or stars move. We are too busy watching evening television to care what's going on in the sky.
Perhaps the people I choose to paint are often objects of derision - celebrity is a bit of a put-down term, isn't it? But to me they are my world.
I like to step outside of what people's idea of me might be. I suppose that makes me a bit of a rule-breaker. I like to take chances.
The vast majority of people support the idea of an enlightened, modern union of countries demonstrating solidarity. Film director Wim Wenders recently summed up the problem to me very well. He said the idea of Europe has become an administration, and now people think that the administration is the idea. But that doesn't mean we should give up on the idea - it means we should change the administration.
When I first started out all the attention could be a bit unnerving, especially when people stared. Now I find the best thing is to just relax. Being recognized is just something you have to get used to.
I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
Cannabis always made me paranoid; I felt like people were watching me. And now I'm sober, and I've got this talk show in the middle of the night on CBS, and I now know that no one is watching me.
People say I'm a celebrity chef, and I am on telly a lot but that's because I judge contests. Perhaps I'm more of a celebrity eater than a cook.
The little bit of my Brazilian side in Azzurri is perhaps to play more with the ball on the ground and have the tranquility to hold the ball. The idea is to have more control of the game.
To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.
When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
I discovered Twitter, as I remember, and the idea of watching a global conversation go by immediately struck me as a fantastic thing. So I suppose it's not TwitterVision per se that excited me, but Twitter itself and its implications.
I'm always fighting either to have a house work with us or to head a house. It's a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that's around me and my wife and my kids.
I suppose being a bit of an antisocial weirdo definitely honed my skills as a soloist. It gave me a lot more opportunities to solo lots of easy routes, which in turn broadened my comfort zone quite a bit and has allowed me to climb the harder things without a rope that I've done now.
The past is discredited because it is not modern. Not to be modern is the great sin. So, perhaps, it is. But every one has, in his day, been modern. And surely even modernity is a poor thing beside immortality. Since we must all die, is it not perhaps better to be a dead lion than a living dog?
I remember Kevin Pietersen and Ian Bell getting into me quite a bit. I don't think they really rated the way I played. But maybe I've changed their views now perhaps a little bit.
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