A Quote by David Eddings
Contemporary fantasists all bow politely to Lord Tennyson and Papa Tolkien, then step around them to go back to the original texts for inspiration--and there are a lot of those texts. We have King Arthur and his gang in English; we've got Siegfried and Brunhild in German; Charlemagne and Roland in French; El Cid in Spanish; Sigurd the Volsung in Icelandic; and assorted 'myghtiest Knights on lyfe' in a half-dozen other cultures. Without shame, we pillage medieval romance for all we're worth.
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"eL Seed" was inspired by the French play Le Cid by Pierre Corneille. It was seeing "Le Cid" coming from the Arabic name "el sayed," which means "the master, the man." So I called myself like that because I was 16; I said, "Yes, I'm the man." That's how it started.
I think that writing texts, publishing texts, selling texts in a physical book store is one of the important tools for breeding this new generation.
I fell even more deeply in love with Tolkien's legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.
I like to be challenged with language, so I start to do texts for my blogs that people can download, can spread. There is no commercial interest behind it. It's only for fun, like doing something that you really enjoy to do. I have texts that I write specifically for the internet and I put them there. I am interested in how readers also respond to the texts that I write to them.
I have a friend - I send her one text and I get 20 texts back. Guys don't want a million texts. It's exhausting.
Belgium is half French-speaking and half Flemish, and I was born on the French side. So we spoke it a lot - like, in kindergarten, it was almost all French. But then I moved to New Zealand when I was 10, where we obviously spoke English all the time, so I lost the French a little bit.
Increasingly, those who used to teach and write critical or theoretical texts are writing fiction, poetry and so on; and kinds of texts are being produced that call for budding readers rather different from those who studied literature in the past.
We must begin to understand the nature of intertextuality . . . the manner by which texts poems and novels respond to other texts. After all, all cats may be black at night, but not to other cats.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
Through its appropriation of "texts of terror" and especially through the application of those texts to the Jews, the Christian religion created the conditions for the oppression of Palestinians.
I'm happier not pretending I know anything about El Cid in Spain. He's a Spanish national hero. I'd rather invent a character inspired by him but clearly not identical to him. And then I feel liberated creatively.
Islam is based on naql (texts) and ‘aql (intellect). Some people just have the texts – we call them naql-heads.
Yet, there was once a king worthy of that name. That king was Arthur. It is paramount disgrace of this evil generation that the name of that great king is no longer spoken aloud except in derision. Arthur! He was the fairest flower of our race, Cymry's most noble son, Lord of the Summer Realm, Pendragon of Britain. He wore God's favour like a purple robe. Hear then, if you will, the tale of a true king.
You must test your own religious claims and texts by the same standards you apply to other religions. If your religion's claims and texts fair no better, then your religion is just as false as theirs is.
I think evangelicals would do better if they concentrated less on bolstering the formal authority of the Scripture - which I certainly would want to affirm - and more on displaying how biblical texts can shape lives in salutary ways, how they are fruitful texts, how they are texts one can live according to.
Being hapa, or more specifically, half-Japanese half-Euro mutt (English, Irish, Scottish, Dutch, French, Welsh, German. . .in case you were wondering), has definitely helped shape who I am. It's very cool to get to identify and learn about all these unique cultures and I think it's helped put the world in perspective.
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