A Quote by David Eddings

Young people, however, tend to ignore the customs of their elders. Adolescent rebellion has been responsible for all manner of absurd costumes. The more ridiculous a certain fashion is, the more adolescents will cling to it.
my Mamá Grande, a tiny Mayan woman, took me aside when I was an adolescent and told me several things that didn't make a bit of sense to my young and inattentive ears, and as young people tend to waste all attempts of our elders to relay to us wisdom accumulated over the decades, I thought my Mamá Grande had a few mice in the attic.
Costumes, fashion, it's all an expression of self, and the more you push the boundaries - the more that people work at creating alternative ideas - the more it changes people's ideas of beauty.
I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.
I believe in evidence. I believe in observation, measurement, and reasoning, confirmed by independent observers. I'll believe anything, no matter how wild and ridiculous, if there is evidence for it. The wilder and more ridiculous something is, however, the firmer and more solid the evidence will have to be.
When I was a TV director working on Judd Apatow's show Undeclared. I was surrounded by so many young people. People like Seth Rogen, who was 9 years old or something. It was just a ridiculous amount of talented young people. I started to think I'd like to see a young-love movie, but not one done in that glossy, Hollywood, high-concept manner we've become accustomed to. One that was, for lack of a better way of putting it, a little more ambiguous, '70s-style, where everyone was flawed, middle-class characters.
Today there isn't a university where they don't have special courses [Jewish studies or Holocaust studies], hundreds and hundreds of universities, young people today want to know more than their elders did, much more, and therefore I am very optimistic about young people.
I like how fashion is becoming more like music. It's more adaptive to young kids. It's more adaptive to a more on-the-go lifestyle. More street vibe. But I've always been into it.
While the fashion industry may, at least at the top end, be thriving, the notion of fashion itself is becoming more and more meaningless. Any discipline in fashion has long since evaporated; the idea of a single fashionable skirt length, or heel height, is incomprehensible. The definition of the fashionable has become so skimpy that it refers not to the mode of dress of everyday people--the clothes that have sufficiently caught the popular imagination to be worn in a widespread manner--but only to the styles that momentarily excite members of the fashion caravan.
In fashion, women have more sensitivity, more sense of the body, so they know how things fit and feel. Yet there are not many women who study fashion. It's ridiculous.
I think everyone should treat one another in a Christian manner. I will not, however, be responsible for the consequences.
In certain circumstances where he experiments in new types of conduct by cooperating with his equals, the child is already an adult. There is an adult in every child and a child in every adult. ... There exist in the child certain attitudes and beliefs which intellectual development will more and more tend to eliminate: there are others which will acquire more and more importance. The later are not derived from the former but are partly antagonistic to them.
Adolescents, for all their self-involvement, are emerging from the self-centeredness of childhood. Their perception of other people has more depth. They are better equipped at appreciating others' reasons for action, or the basis of others' emotions. But this maturity functions in a piecemeal fashion. They show more understanding of their friends, but not of their teachers.
It's funny how people want to sometimes think that Young and Beautiful film is about all adolescents, but it's just the case of one girl. It doesn't mean all the adolescents are like that, of course.
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