A Quote by Dave Attell
I feel like soundtrack music is almost like seeing the movie again, but with my ears.
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It's remarkable how a soundtrack can be so important to the storytelling and the experience. I think the music is going to make people see the movie a lot. The music is going to make you want to go see it again. You have so much fun in the movie, and it's music that you want to share with your kids, anyway.
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
I remember seeing the first LEGO movie, almost skeptically. People were like, 'You should really see it!' And I was like, 'A LEGO movie?' And then, I was like, 'This is really good!'
I've been trying to make records and I describe it almost like a "movie for your ears" where it's a little unconventional in its shape and form, but there's something that's intriguing in keeping you wanting to wait and see the next frame of film, except in here what's coming around the corner for your ears.
I want to remind people that there is no soundtrack in 'Southland;' there is no scored music or soundtrack telling you what you're supposed to feel.
The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.
Musically, I have my project, '30058.' It's seven songs, like an EP or mixtape, but I call it a soundtrack because I feel like my life is a movie, and all the songs are moments in my life.
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
I feel kind of like a kid absorbing everything. I just like seeing people who are doing their thing, whether it's music, or a movement they're creating, or coming up with new technology. I really like seeing that there's new stuff happening. I find that the most inspiring thing.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
That's the thing with all of us music geeks - music is the soundtrack to the things that happen in our lives, and there's music that's unique to that movie.
I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
From my own internal fanboy perspective, there's nothing that I hate more than seeing a three minute trailer for a movie where I feel like it's shown me the entire movie.
I always been inspired and aspire to inspire through the music. I feel like I've always made the soundtrack to a movement.
Honestly, I really don't like acting. I don't enjoy it. What I do like is going to a movie theatre and seeing my face on a poster. I like seeing my name on a poster. That is cool.
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