A Quote by Dave Gibbons

To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally consistent. In terms of a comic book it can work just fine.
My favorite artists from comics were early ones like Jack Kirby or Steve Ditko who had a real heavy ink style. Captain America, co created by Jack Kirby, was a favorite of mine and I sometimes use an altered version of his costume on some of my characters.
The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.
I learned early Jack Kirby favorite movies were the Warner Brothers from the '30s. When you look at Jack Kirby's comic books, or at least when I do, I can make an instant connection. When he said he loved those movies it was like, "Of course."
I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
"Comic book" has come to mean a specific genre, not a story form, in people's minds. So someone will call Die Hard "a comic-book movie," when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
If you look at all the comic book films that have come since then, in terms of tone, in terms of look, even in terms of Danny Elfman's music for Batman, so many that followed have been inspired by that, specifically. It had a cultural impact worldwide.
I wasn't a comic book geek as a kid. I read some, but it was just like, 'Oh, I have this comic book here.' It wasn't like I was collecting them.
I wasn't a comic book geek as a kid. I read some, but it was just like, "Oh, I have this comic book here." It wasn't like I was collecting them.
I'm a massive comic book fan. I was buying weekly installments of "The Watchmen", and "From Hell", and "Parallax" and "Johnny Nemo". I was a huge comic book fan as a kid and I still am. Me and my youngest son are both comic book nerds together; make models and stuff.
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
My theater nerd world and my comic friend world are colliding... That's the thing that I was nerdy about, was theatre. I wasn't as much into the comic book stuff. So it's fun to see there are people that are into that that are also theatre nerds like me.
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