A Quote by Dave Grohl

To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
The single most important thing is to make people happy. If you are making people happy, as a side effect, they will be happy to open up their wallets and pay you.
I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
I just love to play rock and roll. I love to write songs all the time about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
That's something I kind of started Week 1, so when it got to where I'm getting a little beat up, I have a routine already for getting my body back together. Just getting in the cold tank, making sure you're getting massages.
Making a film, setting it up and getting it cast and getting it together, is not an easy thing
Making a film, setting it up and getting it cast and getting it together, is not an easy thing.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
I feel like my best work is in front of me. I'm in the studio now, and I'm having an amazing time making this new album. It's something I can't help.
With theatre especially, you don't want to do it unless you love it - there's no way you can pull it off, making people happy, making yourself happy for 12 weeks or whatever.
Writing's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song.
My home life is very much about getting up in the morning and getting to the gym or getting on my bicycle and making sure that I get to cook dinner for my boyfriend.
It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.
There are always meaningful songs for somebody. People are doing their courting, people are finding their wives, people are making babies, people are washing their dishes, people are getting through the day, with songs that we may find insignificant. But their significance is affirmed by others. There’s always someone affirming the significance of a song by taking a woman into his arms or by getting through the night. That’s what dignifies the song. Songs don’t dignify human activity. Human activity dignifies the song.
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