A Quote by Dave Grohl

Sharing music is not a crime. It shouldn't be. There should be a deeper meaning to making music than just selling downloads. — © Dave Grohl
Sharing music is not a crime. It shouldn't be. There should be a deeper meaning to making music than just selling downloads.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I think touring is an important part of the life of an orchestra. Not only sharing with other audiences, but bringing that sense of family that you get back home. The sense of growing deeper into the music, of making it all sound like chamber music - that comes from being together on tour.
Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.
I questioned everything about music. I think it's a strange thing standing on a stage and making music. I just questioned it always: What's music? What's the meaning of it?
Music was everything. But what the digital revolution has done, with streaming services and downloads, is take the value out of music. When things lose value they lose their meaning.
Just sharing music with each other - that's cool. It's the selling that becomes the problem.
Sheet music, recording, radio, television, cassettes, CD burners, and file sharing have all invalidated, to some extent, the old model of making a living making music.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
We don't make music except for the joy of making music, really - and meeting people and sharing ideas.
Making music has gotten easier; selling it has gotten harder. Making music has been democratized, but the market is in the hands of fascists.
Just as all pop music is not simplistic, not all contemporary concert music is complex. Often what a person connects with goes much deeper than generalized issues of simplicity and complexity.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
To sing a duet together means sharing with someone both the pleasure and the responsibility of making music for an audience which is there to feel enjoyment through music.
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