A Quote by Dave Grohl

The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
And sometimes, I'd be allowed to be hanging out in the studio, which I just loved kind of, like, being in the room with these big recording desks, with all these, like, buttons and knobs and watching the guys use them.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
When you're recording a ninth studio album, you can't fail. You don't really have any fears. You just make the best record that you like. You hope your fans are gonna like it, but if they don't, they have eight other ones to listen to.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
Most Icelandic people are really proud to be from there, and we don't have embarrassments like World War II where we were cruel to other people. We don't even have an army. So it's sort of like an all-around good, innocent place.
I love being in the studio. It's really great. I like it a lot. But of course, I like performing more. But when I'm in the studio mode, it's cool. I like to really focus on it.
I'm a collector, a tinkerer, and a tweaker, like a lot of people, and recording equipment is really easy to fetishize.
My brother was a drummer, and he was always, like, smashing the kit around when I was a kid, and my dad was, like, one of them old musicians, and he played in, like, loads of different bands in the '70s and '80s. Him and my brother were kind of like my main inspirations.
I love being around my friends and my family and spending time with my husband. I like being normal and recharging my batteries, and I feel like I have the coolest job in the world where I get to get on stage and perform and get to do a lot of really amazing things.
When the polar ice caps melt, my recording studio will rise up like an ark, and I'll float off into the drowned world like a character from a J.G. Ballard novel.
I like being in a recording studio. I like watching a song go from the simplicity of the original music.
Kevin Eastman is like a Buddha, like the coolest thing in the world, like a rock star.
Billie doesn't actually like recording sessions at all. We like making music together. She doesn't like going to some big studio and having them pretend to be a therapist for a couple hours. So by default, we always make the good stuff together.
I like 'Reanimator,' and I like 'Evil Dead 2.' But I really like the Corman movies from the late '60s and early '70s, and my favorite is 'The Mask of Red Death' with Vincent Price because - spoiler alert - but at the end of the movie, Vincent Price, he's the evil prince, and to kill him, his court just, like, dances at him.
This site uses cookies to ensure you get the best experience. More info...
Got it!