A Quote by Dave Morris

If your agent or publisher is jumping up and down at the thought of your novel, it's because they're picturing the movie poster on the side of the bus. — © Dave Morris
If your agent or publisher is jumping up and down at the thought of your novel, it's because they're picturing the movie poster on the side of the bus.
You come out of your MFA program with a cogent clutch of stories, trying to get an agent interested, and she or he admits these are quality, sure, but this agent actually needs something the publisher can make money on. So you get kind of bullied by the market into writing a novel.
Back then, if you had a sore arm, the only people concerned were you and your wife. Now it's you, your wife, your agent, your investment counselor, your stockbroker, and your publisher.
I sent a lot of publishing ideas to my publisher, about 30 of them. Each time except 3, i got a "rejection letter". This is basically what a rejection letter is like: Hello Pathetic Moron, We read your book. It sucked. Don't send us another one. If you do, we will run over your grandmother with a bus. Don't Do It. From, Your Publisher
As soon as I finished 'The Finkler Question,' I was in despair. I'd changed my English publisher because they'd been lukewarm about it and not offered enough money. The American publisher didn't like it. The Canadian publisher didn't like it... I'd been bleeding readers since my first novel, and I could see my own career going down.
We as artists are actively encouraged - by other authors, your agent, publisher, and society - not to think about money, strategy, how to manage your career, how to create a brand, because we're supposed to focus on the art.
In the long run, the quality of your work is all that matters. That is your only resumé. Be professional. Make sure your editor or publisher can always reach you. Do what's asked of you if your conscience can bear it. But know that, five years from now, as fans or prospective employers are looking over your published pages, no one will care that this story sucks because the publisher moved the deadline up or because the editor made you work an android cow into the story. All they will care about is what they see in front of them, and they will hold you responsible for it, no one else.
I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.
Number one is that it just scares people! Your hair is standing up on your arms, or at least that there's a few moments when you're jumping. That's what makes it a good horror movie.
When you pick up a novel from the bed side table, you put down your own life at the same time and you become another person for the duration.
No matter what, your parents are going to worry about you. I had a tour bus and my mother still thought I was broke. Remember: It's your life, not theirs. Just because your parents sent you to college doesn't mean they bought the rest of your life.
No matter what, your parents are going to worry about you. I had a tour bus, and my mother still thought I was broke. Remember: It's your life, not theirs. Just because your parents sent you to college doesn't mean they bought the rest of your life.
I think that a really good agent should be able to get the right publisher, which the agent has already figured out, get as much money as she can from that publisher, and make a deal, rather than have the amount of money determine the sale. That's what the best agents do.
'The Secret Agent,' Joseph Conrad's 1907 novel about an anarchist plot to blow up the Royal Observatory at Greenwich - in fact, a scheme by a secret police agent to stir up a government backlash - has acquired a kind of cult status as the classic novel for the post-9/11 age.
I don't make movies. I don't feel that I have to have artistic control. Part of this comes from the fact that the book lives on no matter what Hollywood does to your novel in terms of a film. Now, you try to be careful who you allow to do your film because nobody wants their novel to become a turkey movie. But, on the other hand, it is a crapshot anyway, because even the best people can make a bad film.
Squint your eyes and look closer I'm not between you and your ambition I am a poster girl with no poster I am thirty-two flavors and then some And I'm beyond your peripheral vision So you might want to turn your head Cause someday you might find you're starving and eating all of the words you said.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
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