A Quote by Dave Eggers
I think almost every writer in the world would hope that books would be always talked about with respect and civility and depth and seriousness.
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I think every young child can learn through any martial art. They would then learn to respect their life, respect their parents, respect their country, and respect the whole world.
I think the reason I've published so few books is that I have a pretty high expectation of self-reinvention between books and I would prefer to have been in this world and published fewer works than I would publishing the books that would reveal the process of the changes.
As for the fashion world, the one thing I respect is its shallowness: it's so deep - it's so serious. It can be hard to get that kind of shallowness because of its depth and seriousness.
When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
My hope is that we would begin to have a dialogue in this country about the importance of civility. We can have strong differences, but it does seem to me that most of the country believes it's gone to critical mass in what I would call the professional class across the political spectrum - left and right.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
I'm in love with the way that Ella Fitzgerald delivered a lyric. She would deliver a lyric with the kind of clarity that would make you wonder why it was written, and make you think about the writer. I think every writer hopes an Ella of any genre or anytime gets a hold of their work and works the song like that.
We always talked [with Andrew Ridgeley] about when it would happen - we always knew that I would go on to have a solo career.
I want a happy marriage and whatever it takes to achieve that. But I think the main prerequisite would have to be respect. He would have to respect me and vice-versa. And, that would be more important than being in love. I think respect really goes a long way. And he would have to keep me happy. And he'd have to be very, very, secure.
Once I began college, I was committed to writing, which I think is different from saying I wanted to become a writer. I knew I would always write; I just wasn't always sure how I would go about doing so.
I don't think that my parents even imagined that I would be exposed to drugs. In those days, for some reason, it was not talked about, just like sex was not talked about.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it.
I should think just about every young writer - which I was at the time - would be influenced by HPL. As an American writer of weird fiction, he was at the top of the class.
There's this quote by a writer, Emil Cioran, he's a Romanian writer. He says that you should only put things in books that you would never dare to say to people in real life. So there is that feeling of acute embarrassment, or that you've been too revealing. I think it's some kind of survival mechanism where I never think of the reader, ever. Because then I would start censoring myself.
I think if I were reading to a grandchild, I might read Tolstoy's War and Peace. They would learn about Russia, they would learn about history, they would learn about human nature. They would learn about, "Can the individual make a difference or is it great forces?" Tolstoy is always battling with those large issues. Mostly, a whole world would come alive for them through that book.
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