A Quote by Damon Dash

I'm gonna direct, like, a real movie. At least an hour and some change. — © Damon Dash
I'm gonna direct, like, a real movie. At least an hour and some change.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
Stop yelling at the movie, you ain’t never gonna change it like that. Go change the movie in the projector. You are the projector.
Just telling women: If you don't speak up, things aren't gonna change. If you don't become an advocate, it's not gonna change. If you don't vote, it's not gonna change. If you don't run, it's not gonna change.
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
If you're going to nap, make sure you have a proper chunk of time blocked out. I'm not one of these guys that does the 15-20 minute nap. I don't play those games. I'm, like, an hour minimum. I'm not gonna lay down unless I know I have at least an hour.
I did what sports were supposed to be like, and I was living in my car. So you know what, fine. I'm gonna talk a bunch of sh*t. I'm gonna pose in a couple of pictures. And I'm gonna break a couple of girl's arms, and I'm not gonna feel the least bit sorry about it because you know what? At least I can feed my dog.
I went to the studio, and I freestyled 'Beautiful' in, like, an hour and a half, and I threw it up, and people were like, 'This song's gonna change your life.'
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
I feel like, when we're kids, you're sold into this fairy tale of what love is. That Prince Charming's gonna come along and save you and you're gonna live happily ever after. They're gonna rescue me from the Bronx, and we're gonna go off and live in a castle somewhere and it's gonna be awesome. He's gonna love me forever, and I'm gonna love him forever, and it's gonna be real easy. And it's so different than that.
We're gonna play some pool, skip some school, act real cool, stay out all night, it's gonna be alright.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
I'm gonna open a small restaurant on the beach in Mexico. We're only gonna have a few tables, and we're only gonna cook what's fresh that day. We're gonna get back to the basics... Real food for real people.
I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.
When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
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