A Quote by Dan Brown

Although I studied Dante's Inferno as a student, it wasn't until recently, while researching in Florence, that I came to appreciate the enduring influence of Dante's work on the modern world.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.
The ninth, the worst circle of the Inferno - Dante intended it for traitors.
Dante.Oh,Dante.Seal me!Seal me so hard!.He grabs my hips andpumps his toward mine.Oh,Dante! You're so hot when you seal souls.I shove my idiot-of-a-best-friend off me and laugh.What the hell was that? I ask.My new move.
Dante Alighieri was not only a Christian poet or a priest, he was a man. He was a real poet. We can understand that the goal of Divine Comedy is beauty. You don't need also to understand Italian or to know Italian, because when Dante's writing, when we recite Dante out loud, it explodes a cosmos of illumination like to recite music, a symphony.
I disconnected as a sleepy Seth stepped out of the bedroom. “Who’s Dante? Was that a collect call to the Inferno?” “They won’t accept the charges,” I murmured.
'The Dante Club' was one of America's most important book clubs, as their Wednesday night meetings ultimately led to our country's first exposure to Dante's poetry on a wide scale.
In a sense, I never got over Robert Lowell's History. A flawed, infinitely brilliant project I never tire of going back to. It's a modern Inferno, where Lowell plays both Dante and Virgil, guiding us through dozens of illuminating, bitter episodes from human history, all the while managing to hold a mirror to our confused hominid face as it squints at eternity and fails to grasp any of it.
Thus Dante's motto over Inferno applies with equal force to marriage: "Ye who enter here leave all hope behind.
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
My hell is going to be the stairmaster wing of Dante's inferno, where they're gonna tape my feet to the pedals and the only music I get is Michael Bolton karaoke style.
The ecclesiastical description of Hell is that of a horrible place of fire and torment; in Dante's Inferno, and in northern climes, it was thought to be an icy cold region, a giant refrigerator.
It's a bit of the very last verse from Paradiso- Dante's Paradise. 'My will and my desire were turned by love, the love that moves the sun and the other stars.' Dante was trying to explain faith, I thnk, as an overpowering love, and maybe it's blasphemous, but that's how I think of the way that I love you. You came into my life and suddenly I had one truth to hold on to- that I loved you, and you loved me.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
Gradually we come to admit that Shakespeare understands a greater extent and variety of human life than Dante; but that Dante understands deeper degrees of degradation and higher degrees of exaltation.
In Dante the hero would rather flee and renounce the tempting embrace instead of yielding to his desires and enduring the attendant dangers.
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