A Quote by Dan Piraro
I'd like to do a song that I wrote today about our government's increasing infringement on our right to privacy, but the lyrics mysteriously disappeared from my guitar case.
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The idea of old world instruments mixed with sci-fi, futuristic lyrics, playing baroque guitar on a song about a robot boy and a banjo solo on a song about white noise - that's our sense of humor.
'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
When bureaucrats talk about increasing our 'access' to x, y or z, what they're really talking about is increasing exponentially their control over our lives. As it is with the government health care takeover, so it is with the newly approved government plan to 'increase' Internet 'access.'
Drug offenses ... may be regarded as the prototypes of non-victim crimes today. The private nature of the sale and use of these drugs has led the police to resort to methods of detection and surveillance that intrude upon our privacy, including illegal search, eavesdropping, and entrapment. Indeed, the successful prosecution of such cases often requires police infringement of the constitutional protections that safeguard the privacy of individuals.
I'm proud of our relationship with our neighbors right next door in Mexico. I don't talk about building walls, I talk about building bridges and increasing that communication, increasing that flow, and that's really what defines our border region in San Diego.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
My favorite song that I wrote is 'Love Line.' This was my first song that I wrote lyrics for, and I really wanted to express the feeling when you're in love and hoping the other person feels the same way.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.
Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.
Every song has a different genesis, or feeling. Usually the lyrics, I don't really know what it's all about, I just kinda do it. I mean, there's a combination of, like you're saying, that kind of lyrics about commitment or vaguely relationship lyrics mixed with jokey 90s Beck-style non-sequiturs and stuff.
I wrote a song at age five about algae on the pond by our house, then the next 'real' song was in fifth grade about an unrequited crush.
It turned out so well because it was the first album that I could identify with in terms of lyrics. ("Captain Fantastic") It was passionate...I could associate myself with every song...It's a unique album in our history. This was the story of us..."Curtains", the lyrics to that are so beautiful because it sums up our friendship so much, and our relationship.
'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
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