But in this case people have hundreds and hundreds of animals, they have a menagerie. You can't possibly love that many animals. So, it's more about the ego and the pride of having all of these things sort of like a car collection or a gun collection.
When I made 'What They Want,' I was going crazy. When I made 'Losin Control,' I was going crazy, when I made all the songs that are on my Soundcloud, every time I was out, I went crazy, like it was still the first song that I made.
I go to see the clothes [I designed] in the shops, and of course they're not perfect, and I see only the imperfections. But it doesn't mean it's a failure-you just think, I wish it could be better than this. Sometimes I cannot achieve what I really want to do in just one collection, so in the following collection I do it again. There are certain things I've been working on for three years.
I didn't want to look back in 10 or 20 years and say, 'Yes, I always wanted to write that piano sonata or that novel, but I never had time.'
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
The main thing is, you just want to have your place in history. You hope that people will look back on it in 15, 20, 30 and beyond years, and say, "That was an exciting film."
When I was 20, I thought I was 30 - but I was so far from it. When you're young, you want everything to happen now. As you mature, you can look back and see all the great things you achieved with time and patience.
I like characters in life, generally; I don't like to see a collection modelled on a homogeneous look. That terrifies me.
If, at the end of the day, I can look back and see pictures of all the characters I've played, and there's a smorgasbord of weirdos and interesting, odd, different characters, I'd be so happy.
Each man's soul is a menagerie where Conscience, the animal-tamer, lives with a collection of wild beasts.
I am confident - very confident - that if I help solve this problem in a way that we won't have 20 million illegal immigrants 20 years from now, not only will I get re-elected, I can look back and say I was involved in something that was important.
We're just at the beginning of the beginning of all these kind of changes. There's a sense that all the big things have happened, but relatively speaking, nothing big has happened yet. In 20 years from now we'll look back and say, 'Well, nothing really happened in the last 20 years.'
Human beings are complicated and flawed and unique, but we all have a story to tell. Gone are the days where our lead characters can only look like somebody else. Heroes look like all of us. We see ourselves in each others' stories. We see who we are. We see who we want to be. Sometimes we see who we don't want to be. And through that we have a greater understanding of ourselves and acceptance of each other.
I am crazy about my own films. The films I've just made I'm crazy about them. But then I don't see them for many years. It's like when you get a new child you're very crazy about this child but then after a few years you're like, "what was its name again?"
Sometimes, hindsight is 20/20. Sometimes it takes another situation to kind of make you look back at a different situation and really see how good you had it, you know?