A Quote by Daniel Woodrell
I don't want to be callous about it, but we all seemed to get over the Oklahoma bombing pretty quickly, and we're never going to get over 9/11.
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As a comedian, it really gelled when I started doing standup. Because standup is so much about bravery, especially in the early days. There is no doubt that it is going to go terribly for you over and over and over again. But you cannot get funny without bombing.
I remember, after 'Tumbleweeds,' my friend and I wrote 'Pride and Glory.' I was just about to get it going. I had some really great actors attached, and New Line was going to make the movie, and 9/11 happened. And it was over. By September 12, it was over. And rightfully so. I understood that.
I've had loads of kicks over the years, and I'm not really too fussed about them. I get kicked, and I don't like to roll around or anything. I like to get back up pretty quickly, even if it hurt.
Honestly, as a director, at least for me, if I start doing the same thing over and over again, I'm going to get bored really quickly.
You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
Oklahoma City, Katrina... those happened to other unfortunate people. But 9/11, that happened to us all. And that was pretty much the genesis of 'Reign Over Me.'
Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.
When I was first in the locker room with The Undertaker and John Cena it was very strange. But it gets to a point that these are going to be guys you are working with you get over that pretty quickly. You can't be star struck.
You get lucky and you capture that magic in that one moment. You're not going to get it again no matter how many times you do the song over and over and over.
Time will make it worse! You're...the other half of his soul. He's never going to get over you. And no matter how much you hope that you will... you'll never get over him. You're going to wake up one day and realize what you've done, and you're going to regret the time you wasted apart from him for the rest of your life.
Any place is really tough to wrestle until you get over. Once you get over, it doesn't matter if you're on television or an armory, it all becomes pretty easy.
I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
It seems to me that one thing people do over and over again is try to figure out how to get married, stay married, fall in love, how to rekindle all this stuff. It seems to me to be a pretty eternal theme so I don't know if you can get typecast from making movies about men relating to women. It seems to be what is going on on the planet a lot.
I think, I just always want to leave the door open for, you know, I don't want it to be finished. I've never gotten sick of a song, I've played them over and over and over again, and if I get bored with something, then I'll just change that thing.
I'll get in that habit of throwing the ball over the plate too much. You want to keep it going, get those guys back into the dugout. But it's not a good thing when you're over more than a third of the plate.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
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