A Quote by Daniel Radcliffe

I definitely want to go on acting for as long as I can find employment. I'm never happier than when I'm on a film set. I just want to keep working. — © Daniel Radcliffe
I definitely want to go on acting for as long as I can find employment. I'm never happier than when I'm on a film set. I just want to keep working.
I just want to keep working, really. I just want to keep acting. Playing one part for a very long time builds up in you a desire to play as many different things as you can.
Love is when you find that thing, when you want to give more than you want to take. When you find the things that you love the most and you want to give those away, that's love. It's when you want somebody to be happier than yourself, but then once you make them happy, it makes you happier.
I definitely want to have a career in the TV/film industry, as I love acting, but if it all goes to pot, I want to set up a performing arts school for children with special needs.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.
I really do love doing stand-up, and I don't see why it should affect the acting. And I just want more interesting jobs. I just want to keep doing stuff that's different, rather than saying, "Okay, I've become known for this, and I'll just do this from now on." If I feel like I've done this one thing, I never want to do it again. I want to do something totally different.
I just want to continue adding walls to my craft as an artist and business man. I never want to cap off, I never want to seal it. I just want to keep adding walls and keep on going as high as it can go, but I'm never gonna be boxed in, can't. That's when you lose because when you box yourself in, you know you get comfortable, you start getting complacent. I can't be like that.
When I have actors flirting with me in acting, in my head, I am thinking, 'If I flirt back, I could definitely land a film with this guy. If I consider going to his house for drinks, considering he has invited me, I could definitely get a film with him.' But I just don't want to do that.
I want to keep on progressing. I definitely think acting is a long process to be one of the greats like Morgan Freeman or Jack Nicholson.
As long as people want to see me in movies, and as long as I find it interesting, I'll keep working.
I love dancing just because I've done it my whole life and it's definitely what I want to do. I feel like, I want to train with acting and do movies. Those two are my main priorities. I definitely want to be able to sing and model, too. I definitely love those, too.
I definitely want to keep acting now. I've got all kinds of projects I want to do.
I've done a lot of fight scenes, and I always find that it's better that they be meticulously choreographed. You want them to look as real as possible, but you don't want anyone to get hurt. So I believe in really working it out in rehearsal, and when you get to the set, just go for it 100 percent.
I just want to keep working hard. I just want to keep improving myself. And I just want to prove people that I can play in the real game.
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