A Quote by Daniel Tammet

I have tried to be more flexible, but I always end up feeling more uncomfortable. Retaining a sense of control is really important. I like to do things in my own time, and in my own style, so an office with targets and bureaucracy just wouldn't work.
Retaining a sense of control is really important. I like to do things in my own time, and in my own style, so an office with targets and bureaucracy just wouldn't work.
The drinking was getting way out of control. I just didn't recognize myself anymore. I didn't know what I was doing or where I was. I always had to have some drinks with me in my bag. Just waking up shaking and then having Bloody Marys on your own, first thing in the morning-I started to feel really pathetic about it. So I was like, "I can't live like this." It was just this really awful feeling of becoming a totally different person and not being able to control it at all. Then I tried to not drink, but that didn't work. So I figured I should just go to rehab.
It’s all about control. Control is illusory. No matter what university you go to, no matter what degree you hold, if your goal is to become master of your own destiny, you have more to learn. Parkinson’s is a perfect metaphor for lack of control. Every unwanted movement in my hand or arm, every twitch that I cannot anticipate or arrest, is a reminder that even in the domain of my own being, I am not calling the shots. I tried to exert control by drinking myself to a place of indifference, which just exacerbated the sense of miserable hopelessness.
I've always loved my own little office spaces no matter what they were like. It's the Virginia Woolf, room of one's own concept, it's really important.
This wasn't because he liked me, I was sure. It had more to do with him banking on what we of wedding age had all become witnesses to-how during these wedding weekends, single women, feeling a little lonely, maybe, or just feeling a little too far from being the bride, found themselves loosening their own rules, opting to be more flexible, more quickly.
There's increasing consciousness that a "command and control" style of management which one associates with a male model isn't necessarily what works anymore, especially with small to medium sized companies. There's increasing evidence that a more flexible management style, where responsibility is distributed up and down the line, is what works best. And that kind of management style is one that will allow individual workers more flexibility - men and women.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
I think when people have the freedom to tell their own story rather than trying to be specific to a certain design or style, there's more freedom, and it ends up feeling more like home. Those spaces we see in magazines and on the Internet are beautiful, but if there's not that story there, then it's going to lack that feeling of home.
We don't have much wisdom about the second half when things really open up and end up looking a lot more progressive. In my own Catholic church, for example, we're sort of circling the wagons today by thinking that more moral strictures, more exclusionary rules on this or that, that that's going to do for the first half of life. I don't think it really does.
Every American wants MORE & MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more & more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
I've always been into dressing nicely. My dad's really into fashion, also. We'll always go out and buy stuff. He has his own style and I have my own style, but it's a shared thing. Same thing with my grandfather; he was really into his style, so it's just sort of been passed down, I think.
I want to make sense of things, to understand the world, but my work is never really instructional. I have no wisdom to impart or give, so I think my dream readers would be people who just use the book as an excuse to get into their own cycle of thoughts. The book is just like a map. It's just a jotting-down of things that you can interpret in your own ways.
Seems like the more you grow, the more time you spend alone, before you know it you end up perfectly on your own.
I believe art is utterly important. It is one of the things that could save us. We don't have to rely totally on experience if we can do things in our imagination.... It's the only way in which you can live more lives than your own. You can escape your own time, your own sensibility, your own narrowness of vision.
Usually, people that I like to work with are people that I believe in more than they believe in themselves, and they just need that extra boost and the person to give them a little more time and understanding and introspection into their own character to find that box office that lives inside of them.
I like owning my own narrative. It depends: I either give it all up, or I don't have any control. It's really hard to go halfway. Like with modeling, for example, I kind of give up all creative control, and that's just that. But when it comes to my own personal art, I'm very O.C.D. I see something a very certain way.
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