A Quote by Danny Glover
Popular literature and culture used to reflect people's aspirations, pain, and passion. All those particular things are no longer available to us.
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I remember when Langston Hughes used to write a column in black newspapers around this character Jesse B. Semple. He always used that as a voice, sometimes in comic ways, of having everyday people's voice come through this common folk hero, who was an ordinary working guy. He would talk about anything from police brutality to the Korean War. Those kinds of expression and identification are no longer prevalent in our popular culture.
The book Love and Trouble is asserting that sexuality lives inside us, and in the culture, and in the people who do things to us - and the forms reflect that.
There is a beauty in nature and culture that we no longer have access to. Those things you can't forget, you embroider... The further you tell, the further you travel from truth, which means, of course, that literature is a lie.
For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
No themes are so human as those that reflect for us, out of the confusion of life, the close connection of bliss and bale, of the things that help with the things that hurt, so dangling before us forever that bright hard medal, of so strange an alloy, one face of which is somebody's right and ease and the other somebody's pain and wrong.
Some people think literature is high culture and that it should only have a small readership. I don't think so... I have to compete with popular culture, including TV, magazines, movies and video games.
All great popular literature today one day will be seen as great literature and will no longer be seen as popular literature.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
How people make gardens is bound to reflect a way of experiencing the natural world, while at the same time this experience of nature is bound to reflect a culture - ways of painting nature, for example, or representing nature in literature, or of course making gardens.
Our culture is obsessed with youth because we have lost the ancient knowledge that growth never stops. We are not transient, momentary mistakes in
the cosmos- evolutionary curiosities that rise like mayflies, swarm for a day, and are gone. We are players who are here to stay, and the universe was built with us in mind. We reflect it, with our deepest loves and loftiest aspirations, just as it reflects us.
Investing intelligently in those of us who are marginalised means fewer people in jail, fewer homeless, fewer unemployed, fewer of us who are forlorn and depressed, fewer people addicted to things that drag us down... Because as we invest in those that do it tough, we will see more Australians taking pride in themselves, having realisable dreams and aspirations and making their own positive contribution to the world's greatest nation.
Popular culture no longer craves archangels and new dawns. Pop culture traffics in vampires and deads of night.
Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
The proposition is that prices reflect all available information, which in simple terms means since prices reflect all available information, there's no way to beat the market.
Laws are important precisely because in a democracy they reflect the attitudes and aspirations of those they govern.
I think a reason that a lot of people feel politically paralysed is that it used to be clear how power was organised. But those who have their hands on the levers of popular culture today have great power - and it isn't even clear who they are.
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