A Quote by Daryl Palumbo
We've both with Justine Beck done other things - and do other things - outside of Glassjaw. But Glassjaw's the most shining professional thing I've been part of. And the fact it's happening on the scale is both an honor and it's funny. Its hysterical. It's a fun ride. The whole world's different.
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I always enjoy working with an international crew and director. But on the set of a Hollywood action film - now that's a whole other world. The sheer grand scale of the way things are done over there makes me envious; it's just so different from the way things are done in Japan.
Professionally, I'm proud that Glassjaw has gotten to this moment, and that Justin Beck and I are making another record and some zany things are going on. It's on the tip of my tongue all day every day, between the press and the experience of putting ourselves out there, and putting our personalities out there to be judged and to have amassed a whole unit of music, and how it's really a celebration of our friendship. I'm really proud of it.
Nothing is the same. I don't have one emotion that's the same. Everything is totally different; I'm a different person, the whole industry is totally different from when Glassjaw was first trying to approach it and put a record out.
I've been doing both music and acting since I was pretty little. Just for fun. Being able to peruse both professionally is the greatest thing in the whole world.
I've never been one to say I know exactly that we're in the last days, but there's some things happening these days, both good and bad, that make me wonder if we may be heading into the final generation. One of the good things that's happening is that little by little we're taking the gospel to the whole world. But at the same time there is this resistance.
The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
We were discovered by Don Fury; he was the first record producer who discovered us and essentially plucked us out of the rough. But I think in another way, we were discovered when we discovered each other, right before we started high school. We were 12 and 13. I don't want to speak for Justin Beck, but that's a big moment, linking up with your foil for the first time. Glassjaw definitely changed my life in the biggest way possible.
Art and ideology often interact on each other; but the plain fact is that both spring from a common source. Both draw on human experience to explain mankind to itself; both attempt, in very different ways, to assemble coherence from seemingly unrelated phenomena; both stand guard for us against chaos.
I do think that Americans do not understand that things are done differently in other parts of the world and that the other ways people do things are equally accurate ways to do things. Someone else just came up with something different.
Those three chords were part of my life - G, F, Bb - yeh, it is, it is, and I can't help noticing it. But there have been other things nearly as close to it which people haven't noticed, other things we have done.
There are two distinctly, almost surreally different narratives in Israel and Palestine... and to a great extent, both are right and both are wrong. Both peoples have suffered greatly and both have legitimate grievances against the other.
Wine is one of the most civilized things in the world and one of the most natural things of the world that has been brought to the greatest perfection, and it offers a greater range for enjoyment and appreciation than, possibly, any other purely sensory thing.
Every living thing is both a whole system in and of itself as well as an essential part of other systems.
Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.
Music is my life. The only other thing I've done is office work in different places. But no real professional career other than singing.
In fact, we're both [with Elie Wiesel] engaged with the text. We search for different things, we find different things. There is a side of what he does that I'd like to do, a bit more privately. I'm not sure he is as interested in history, as I am.
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