A Quote by Duke Ellington

In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.

Duke Ellington

Quote Topics

Alter Alter Ego Any Arm Back Billy Clear Come Debate Decided Develop Directions Ego Eyes Fitting Focus Good Good Judgment Hand Head His Idea Judgment Left Many Mine Music Musical Must Myself Often Pointed Points Referred Right Right Arm Steady Talk Theme Then Time Turn Us Way Which Whole Whole World World Would

Quote Author

Duke Ellington
American - Musician
April 29, 1899 - May 24, 1974

Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.

Duke Ellington

An acquaintance of mine, a notary by profession, who, by perpetual writing, began first to complain of an excessive wariness of his whole right arm which could be removed by no medicines, and which was at last succeeded by a perfect palsy of the whole arm. . . . He learned to write with his left hand, which was soon thereafter seized with the same disorder.

Bernardino Ramazzini

The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.

Will Carleton

If an optimist had his left arm chewed off by an alligator, he might say in a pleasant and hopeful voice, "Well this isn't too bad, I don't have a left arm anymore but at least nobody will ever ask me if I'm left-handed or right-handed," but most of us would say something more along the lines of, "Aaaaaa! My arm! My arm!"

Daniel Handler

Billy Strayhorn wrote Multicolored Blue. Billy to me is the boss of the arrangers.

Quincy Jones

We had an electronic head and arm for Threepio, and I manipulated the mechanism with a joystick. But it wasn't working. The propman said, 'Give me fifteen minutes.' We all went to get coffee, and when we came back, Threepio's head turned perfectly and his arm moved naturally. I looked up and realized that the prop man had a fishing pole with a fine nylon string attached to Threepio's arm. He had rigged another string around the head, which Chewbacca was holding. As Chewie moved his hands, Threepio's head turned!

Irvin Kershner

Whenever two guys got together, you asked, 'What body part would you like to work?' In my case, it was the arm. Most guys wanted to feed me for that arm drag. We always believed in storytelling, so if I had the arm, the heel would get away for a moment - or heel his way away - and then I would get back to it.

Ricky Steamboat

I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.

Suzanne Collins

The true value of man is not determined by his possession, supposed or real, of Truth, but rather by his sincere exertion to get to the Truth. It is not possession of Truth by which he extends his powers and in which his ever-growing perfectability is to be found. Possession makes one passive, indolent and proud. If God were to hold all Truth concealed in his right hand, and in his left only the steady and diligent drive for Truth, albeit with the proviso that I would always and forever err in the process, and to offer me the choice, I would with all humility take the left hand.

Gotthold Ephraim Lessing

Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.

John Densmore

When [Billy] Strayhorn came on the scene, he just blew us away.

Gerry Mulligan

I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.

Jessica Sorensen

Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education. She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.

Kurt Vonnegut

One particular aspect of Siddhartha’s revelation of the outside world has always struck me. Quite possibly he lived his first thirty years without any knowledge of number. How must he have felt, then, to see crowds of people mingling in the streets? Before that day he would not have believed that so many people existed in all the world. And what wonder it must have been to discover flocks of birds, and piles of stones, leaves on trees and blades of grass! To suddenly realise that, his whole life long, he had been kept at arm’s length from multiplicity.

Daniel Tammet

Unlike many Sixties rockers,[Bob] Dylan sang about getting old, about broken dreams. His return to roots music pointed the way for many of his contemporaries to forsake trying to sound 'current' and to instead make music that would stand the test of time.

Jay Michaelson

Time is like a fashionable host That slightly shakes his parting guest by the hand, And with his arm outstretch'd, as he would fly, Grasps in the comer.

William Shakespeare

A Quote by Duke Ellington

Quote Topics

Quote Author

Related Quotes

Related Authors