A Quote by D'Angelo Russell

I did my first winter in New York and that was tough. So to get the opportunity to go somewhere where it's warm again, I think that played a major part in my plan. — © D'Angelo Russell
I did my first winter in New York and that was tough. So to get the opportunity to go somewhere where it's warm again, I think that played a major part in my plan.
I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
Making ribs in Texas isn't that unusual a choice for 'Top Chef'. We played the stereotypes everywhere we go. It's not only in Texas. We do it in New York; we did it in San Francisco. Listen if we shoot it in Seattle you know we're going to be throwing salmon somewhere.
I'd like to do Harvey again. I did it two years ago with Helen Hayes in New York. It was a joy. I was so glad to do it again because I never thought I did it right the first time.
I'm street smart. You can't con me. But that's just from living in New York. Now if a guy came from Mississippi somewhere, Ohio somewhere, to New York City for the first time, he don't have the street smarts. You can take him.
I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
It was tough [to move to the Golden State Warriors] because of my success level in New York. To leave this city and go out west and move my family was tough, but this is part of the business. Something as a player that might happen to you.
It's so bad being homeless in winter. They should go somewhere warm like the Caribbean where they can eat fresh fish all day.
When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.
I'm ecstatic that I had the opportunity to play in the American Basketball Association. It was an opportunity to be part of something new and exciting and I think everyone who played would tell you the same thing.
In America, kids would go to college and get out and buy a second-hand car and go across the country and discover America. I never did that; I went from New York to Paris, and New York was my America.
I've always been a part-time model since I graduated from high school. I was hired by one of the major agencies, Wilhelmina in New York, so I modeled there and played basketball during the school season.
The first ones I played were in New York at Joe's Pub; I played four shows, but I did something like 30 interviews and a couple radio shows in the mornings and completely blew out my voice. It kind of sucked.
I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both. But you have to learn how to get along. I did an awful lot of fighting. I was tough, but I'm also relatively small, so I learned very early on to use my mind.
I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.
That first play I did in New York, Rogelio Martinez's 'When It's Cocktail Time in Cuba,' I played a young Fidel Castro.
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