A Quote by Eva Zeisel

If I hadn't been a designer, I'd have been a painter. I began as a painter and learned the craft of pottery in order to support myself. — © Eva Zeisel
If I hadn't been a designer, I'd have been a painter. I began as a painter and learned the craft of pottery in order to support myself.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
I was born in Den Bosch, where the painter Hieronymus Bosch named himself after. And so I've always been very fond of this painter who lived and worked in the 15th century.
The painter's portrait and the physicist's explanation are both rooted in reality, but they have been changed by the painter or the physicist into something more subtly imagined than the photographic appearance of things.
When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish.
I never consciously said, 'I want to be an actor.' It sounds stupid, but it's kind of like being a painter or something. You don't say, 'From today on I'm going to be a painter.' It's not something conscious - you've just been painting pictures all your life.
The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.
Whatever China I'd been born into, I would probably still have become a painter - I loved sketching portraits as a child, and began art classes at the age 7. But if China hadn't been under Maoist rule, I might never have become a writer.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
My father, a ruined dandy from the South, had been reduced to keeping a small harness-repair shop and, when that failed, he became ostensibly a house-and-barn painter. However, he did not call himself a house-painter. The idea was not flashy enough for him. He called himself a "sign-writer.
I do different things. I'm a designer. I'm a painter.
I was going to be a painter. I went to art school - but every 16-year-old wants to be a painter.
By the single example of this painter devoted to his art with such independence, my destiny as a painter opened out to me.
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again.
My grandfather was not a musician but he was an artist - a painter, a decorative painter.
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