A Quote by Elena Ferrante
In order not to cut out a large part of one's private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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There is part of a structure in which every species is related to every other species. And they're built up on species, like a pyramid. The simpler cell organisms, and then the more complicated ones, all the way up to the mammals and birds and so forth. We call it 'developing upward'... The whole thing depends on every part of it. And we're taking out the stones from the pyramid.
I believe that - if you are serious about a life of writing, or indeed about any creative form of expression - that you should take on this work like a holy calling.
The most satisfying thing in life is to have been able to give a large part of one's self to others.
In order to be deep, we sometimes have to cut through and cut apart. That is to be seen in the common phrase, 'Cut it out!' The reason is that this thing is seen as superfluous and therefore it should be excised, as a growth, unnecessary, should be excised.
It's actually hard for creative people to know themselves because the creative self is more complex than the non-creative self. The things that stand out the most are the paradoxes of the creative self ... Imaginative people have messier minds.
What we are accustomed to decry as great social evils, will, for the most part, be found to be only the out-growth of our own perverted life; and though we may endeavor to cut them down and extirpate them by means of law, they will only spring up again with fresh luxuriance in some other form, unless the conditions of human life and character are radically improved.
For me, coding is a form of self-expression. The company controls the most effective means of self-expression I have. This is unacceptable to me as an individual, therefore I must leave.
I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness.
It's a very complicated issue, this fame thing - I was not really cut out for it. There are some really fantastic things about it, but it's difficult for a private person like myself.
Sketching is the breath of art: it is the most refreshing of all the more impulsive forms of creative self-expression and, as such, it should be as free, and happy, as a song in the bath.
Don't underestimate the therapeutic value of gardening. It's the one area where we can all use our nascent creative talents to make a truly satisfying work of art. Every individual, with thought, patience and a large portion of help from nature, has it in them to create their own private paradise: truly a thing of beauty and a joy for ever.
I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.
There's no life-work balance. I think you have to have the discipline to have the life you want to have. And if you are stealing from one part of your life in order to make the other part work, you are going to pay for it.
People talk about songwriting or comedy as creative expression, but life is creative expression. Table-making, even nursing, is extraordinarily creative.
A good way to rid one's self of a sense of discomfort is to do something. That uneasy, dissatisfied feeling is actual force vibrating out of order; it may be turned to practical account by giving proper expression to its creative character.
Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.
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