A Quote by Jaboukie Young-White

After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV. — © Jaboukie Young-White
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
It's really great to see the queer landscape really change to include everybody and make the rest of the world understand that we're not just one or two things. There's so much about the queer community that needs to be represented.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
All the world old is queer save thee and me, and even thou art a little queer.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
As much as I think that in the future we won't need labels, at the moment they're really important. So I'm making myself embrace that. I truly am proud to be queer. Even watching 'Queer Eye' is something that inspired me to say that. So that's the power of representation.
The fact that I get to play a queer Filipino on television and another queer character in 'Crazy Rich Asians' is huge. I never thought I'd have a career being myself. I always thought that being an actor in Hollywood meant that I would have to put that side of me on the back burner.
Bob Fosse, even though he wasn't gay. He was certainly queer and had a huge effect on the 'Hedwig' film, as did Hal Ashby and Robert Altman, who had a weird butch queer feeling about him. His films almost flirted with camp but in an extremely realistic acting way.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
Fallon tells me about first starting 'Late Night': how he knew audiences were dubious.
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