A Quote by Jacqueline Bisset
If people choose to judge how you look, that's their situation. I didn't feel that it was a problem. I've played all kinds of parts. I've played glamorous, and unglamorous, and all kinds of people. People want to pigeon hole you, I think.
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When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."
I've always played different kinds of roles, and I probably played more vulnerable parts when I was really young.
When you think of diversity, George Duke fits that bill better than a lot of people. He's played a lot of straight-ahead jazz with people like Nancy Wilson and Cannonball Adderley; he's played a lot of fusion with his own groups, with Stanley Clarke; and, you know, he did the rock thing with Frank Zappa. He's written all kinds of big arrangements for people like Burt Bacharach. So, he's covered the board. He's still a great pianist.
I became a professional musician and played all kinds of music. I played bluegrass, I played classical music, and for many years, I played jazz.
No matter how much you may want to think of Holdém as a card game played by people, in many respects it is even more valid to think of it as a game about people that happens to be played with cards.
I've played Latin, I've played Italian. And I've played the all-around regular girl. I think the thing about the way I look, is that I can look like many different things. People sometimes ask me if I'm Russian. I don't think I specifically look like a Puerto Rican or an Italian. Wouldn't you agree?
So you can have your program, but you also have to be ready to change it immediately because there are certain kinds of people who like certain kinds of songs and they like - some people want to dance when you come out, some people just want to be intimate with you. So you kind of feel your way through a show.
There are three kinds of people and three kinds of richness:
- people who want to have, to collect
- people who want action, work and labor
- people who want to be
The real richness is in be-ness. People can take all that you have, all that you collected. People can stop your labor, or an accident can stop you. When you are, you never lose what you are.
I've played in some pretty weird settings; busking puts you in all kinds of situations. I can tell you the most depressing gig I've played was in the North of England. At that time, I was playing with a band. We drove 7 or 8 hours to Carlisle to play a 600 - 700 capacity venue - 9 people showed up.
People think because I'm crazy, I don't know anything. My dad played bass with Hector Lavoe, with Marc Anthony, with Ricky Martin, with people who had nothing to do with reggaeton. I grew up watching him play all kinds of instruments. It's something I carry in my blood.
There are two kinds of people in this world. There are the people that will have you think that there are two kinds of people in this world, and there are the 'good; people. There is no good, there is no evil, there is just a war going on between the people that want you to think there's a war going on and the people that know there doesn't have to be one.
My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
I've played all kinds of places, laid all kinds of girls.
The kinds of people we need in government are precisely the kinds of people who are most reluctant to go into government -- people who understand the inherent dangers of power and feel a distaste for using it, but who may do so for a few years as a civic duty. The worst kind of people to have in government are those who see it as a golden opportunity to impose their own superior wisdom and virtue on others.
I played all kinds of sports growing up: soccer, basketball, track. You name it, I've probably played it.
My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff. He was really a hugely encouraging force to me when I was little.
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